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35 pages 1 hour read

Unflattening

Nonfiction | Graphic Novel/Book | Adult | Published in 2015

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Index of Terms

Flatness

Sousanis borrows the idea of flatness from Abbot’s novel Flatland, which features characters who are completely unaware of those who perceive the world in higher dimensions. Expanding on this, Sousanis defines flatness as a homogenization of thought and experience that precludes other potential points of view. For Sousanis, perception, experience, and action are acutely related. Therefore, a person who sees the world as a series of linear systems will play their role in ensuring that that world survives for future generations.

While Sousanis begins with flatness, his book models a process of incremental unflattening, leading the reader through a sequence of “dimensions” that are increasingly distant from their daily routine. This process is necessarily incomplete, however; Sousanis emphasizes that unflattening requires curiosity and an awareness that our perception is limited and always stands to gain more depth.

Stereoscopic Vision

The idea of stereoscopic vision is an important one for Sousanis’s book. The term refers to the mechanics of human vision: The distance between our eyes means that each of them sees a slightly different picture. Our brain then has to make sense of the pictures to arrive at a consistent image. Importantly, this discrepancy between each eye’s viewpoint means that “[T]here is no correct view” (Location 44), and that “[S]eeing, much like walking on two feet, is a constant negotiation between two distinct sources” (Location 44). This process, inherent to our perceptive organs themselves, embodies Sousanis’s contention that truth comes from the integration of multiple perspectives rather than a singular viewpoint. As the book progresses, what begins in the structure of the eyes opens out to encompass the kinetic elements of vision and the importance of welcoming those with disparate viewpoints, both literal and metaphoric.

Left Brain Hemisphere

The left-brain hemisphere informs Sousanis’s discussion of language. The left brain allows us to focus on the task at hand and to process linear, sequential information such as language. Western civilization’s privileging of verbal language and specialized knowledge has therefore also prioritized the left brain. While this means that we have become experts in focused work, we have become unpracticed in developing a more integrated view of experience. This accounts for our difficulties in visual thinking.

Right Brain Hemisphere

In contrast to the left brain, the right-brain hemisphere is better equipped to deal with simultaneous information; it considers “the whole in its context” and strives to remain open rather than closing down meaning (Location 76). From an evolutionary perspective, the right brain’s ability to continually consider new information helped humans survive the attacks of wild animals. As the right brain hemisphere’s strengths resist evaluation on the terms that have dictated knowledge and intelligence, education has neglected them.

Neuroplasticity

Neuroplasticity—the process by which repeated actions shape our neural pathways—is an important concept for Sousanis’s work, as it contributes to the flattening of experience. In sequential vignettes of the shoelace tying process, Sousanis acknowledges that “[F]orming habits is essential, so we do not have to relearn every activity continually” (Location 124). The ability of our neurons to adapt to repeated action enables efficiency and frees our mind to focus on more challenging and stimulating tasks. However, the negative side of neuroplasticity is that it can contribute to flattening ruts as “our habits come to possess us” (Location 124). When we take the daily processes and rituals of our life for granted, it is a small step towards becoming an uncurious automaton. Sousanis argues that we must therefore strive to forge new neural pathways that can accommodate not habit but curiosity. This is second nature to children but becomes more difficult as we reach adulthood, when the neural pathways are more set.

Vectors

The Merriam-Webster dictionary definition of a vector is “a quantity that has magnitude and direction and that is commonly represented by a directed line segment whose length represents the magnitude and whose orientation in space represents the direction” (“Vector.” Merriam-Webster Dictionary. Accessed 12 Oct. 2021). Sousanis’s text represents vectors as two-pronged shapes that are capped by semicircles and look like human eyes in profile (Location 143). For Sousanis, vectors embody the paradox of being “both present and at the same time removed” and therefore “able to see ourselves simultaneously” from two vantage points (Location 143). One diagram of a vector shows a human figure on either slope, each mirroring its near-identical counterpart. This concisely symbolizes how a person can remain in their separate viewpoint while also seeing their connection to the environment. The figure of the vector enables us to see how we might reflect on ourselves as both separate from and part of the bigger picture.

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