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45 pages 1 hour read

Twelfth Night

Fiction | Play | Adult | Published in 1602

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Acts IV-VChapter Summaries & Analyses

Act IV Summary

Feste the Fool encounters Sebastian, whom he believes to be Cesario. Feste says that Olivia had sent for Cesario, and Sebastian remains ignorant, insisting that the Fool “know’st not me” (IV.1.11). Andrew, Toby, and Fabian enter, and, they too mistake Sebastian for Cesario, and Andrew attacks Sebastian with his sword. Sebastian, unlike Viola dressed as Cesario, can actually fight and returns Andrew’s blow. Toby seizes Sebastian, who pulls away from him and draws his sword against Toby. As they prepare to fight, Olivia enters and shoos Toby and his friends away. She apologizes to Sebastian (whom she too mistakes for Cesario) and invites him to go with her to her house. Sebastian, smitten with Olivia, embraces her advances and leaves with her saying in an aside, “I am mad, or else this is a dream. […] If it be thus to dream, still let me sleep!” (IV.1.64-66).

 

Maria helps Feste disguise himself as Sir Toby and visit Malvolio in the dark room where he’s being held. Malvolio insists to Feste, whom he believes is Toby, that he’s not insane, telling him that “there never was a man thus abused. I am no more mad than you are” (IV.2.49-50). The real Sir Toby is also there and tells Feste that he should now go back to Malvolio as himself. Toby says that he wants their prank to be over with, because he is “now so far in offense with [Olivia] that I cannot pursue with any safety this sport” (IV.2.72-74). The Fool goes back to Malvolio, who asks him for a candle, paper, and ink so that he can write a letter to Olivia. Feste says that he will fetch it for him.

 

Elsewhere, Sebastian marvels at his sudden fortune with Olivia though he has a “sense / that this may be some error” (IV.3.9-10). Olivia enters with a Priest and asks Sebastian (whom she still believes is Cesario) to immediately go with them and marry her, so that Olivia’s “most jealous and too doubtful soul / May live at peace” (IV.3.28-29). Sebastian agrees and leaves with Olivia to be married.

Act V Summary

At Olivia’s estate, Orsino arrives with Cesario and his attendants. They run into the Feste, who delights Orsino with his wit. Antonio is then brought in and Cesario tells Orsino this is the man who saved them. Orsino recognizes Antonio because of his past misdeeds, but Cesario insists that “he did me kindness,” though he also “put strange speech upon me” (V.1.62-64). Antonio explains that his love of Sebastian led him to expose himself in Illyria despite his history, though he now believes that Sebastian is a “most ungrateful boy” (V.1.75) who “denied me my own purse” (V.1.88). Orsino asks when the man that Antonio is referring to came to Illyria; Antonio replies “today, my lord,” adding that the two men had previously not been separated before today for three months (V.1.93-95).

 

Olivia enters and accuses Cesario (who she believes has married her) of “not keep[ing] promise with me” (V.1.104). Cesario is confused and Orsino and Olivia argue. Orsino says that he would willingly sacrifice or hurt Cesario in order to spite Olivia, and Cesario goes along with that, saying that for Orsino, Cesario would die a thousand deaths. Cesario declares his love for Orsino, telling Olivia, “After him I love / More than I love these eyes, more than my life, / More by all mores than e’er I shall love wife” (V.1.138-140). Olivia is confused and calls in the Priest, who says that he has just married Olivia and the person believed to be Cesario.

 

Orsino starts to yell at Cesario when Sir Andrew and Toby enter, saying that Cesario has attacked them. Suddenly, Sebastian enters, apologizing to Olivia that he has “hurt your kinsman” (V.1.219). Orsino marvels at Sebastian and Cesario’s resemblance, remarking, “One face, one voice, one habit, and two persons!” (V.1.226). Sebastian sees Antonio and expresses joy that they are reunited; Antonio is confused, asking, “How have you made division of yourself?” (V.1.233).

 

Sebastian questions Cesario about his parentage, and soon realizes that Cesario is actually his sister Viola. Viola confesses that she is a woman who has disguised herself as a man, and Sebastian tells Olivia that she has “been mistook” and would have been married to a “maid” if she had actually married Cesario. Instead, he tells Olivia, “you are betrothed both to a maid and man” (V.1.271-275).

 

Orsino takes Viola’s hands, and she tells him that the Captain has her women’s clothes, but Malvolio has imprisoned him. Olivia tells Feste and Fabian to fetch Malvolio, and the Fool gives Olivia Malvolio’s letter, in which Malvolio says Olivia has wronged him and declares himself “madly used” (V.1.325). Olivia tells Orsino to now think of her as a sister and offers to pay for his and Viola’s wedding. Orsino accepts the offer and proposes marriage to Viola, telling her she “shall from this time be / Your master’s mistress” (V.1.342-343).

 

Malvolio enters and declares that Olivia has “done me wrong, / Notorious wrong” (V.1.349-35), handing her Maria’s letter. Olivia says that this isn’t her writing and that it’s Maria who wrote the letter. Maria and Fabian confess to the prank. “Alas, poor fool, how they have baffled thee,” Olivia tells Malvolio (V.1.392), and he exits vowing revenge on everybody.

 

Orsino remarks that Malvolio still didn’t say anything about the Captain and says that when the Captain is found with Viola’s clothes they’ll be married. While she’s still in her Cesario outfit, Orsino says, Viola shall still be known as Cesario. “But when in other habits you are seen, / Orsino’s mistress, and his fancy’s queen,” Orsino adds, as all the characters but the Fool exit the stage (V.1.410-411). Feste ends the play with a song.

Acts IV-V Analysis

In the final two acts of Twelfth Night, the consequences of the play’s mistaken identities begin to mount, and they are ultimately resolved. In Malvolio’s subplot, as Feste disguises himself as Sir Toby when he speaks with Malvolio in the dark room where he’s being held. The miscommunication that makes Malvolio believe that Olivia wrote the love letter to him is resolved as well, clearing up that he has mistaken Maria’s handwriting for Olivia’s. Elsewhere, Sebastian and Cesario continue to be mistaken for one another, leading to the eventual reunion of Sebastian and Viola and Cesario’s revelation to Orsino that she is in fact viola. As is typical of Elizabethan comedies, the play ends in marriage, or in this case, two marriages: Sebastian and Olivia’s and Viola and Orsino’s.

 

Viola’s act of confessing her womanhood to Orsino also highlights how clothing is intertwined with identity in Twelfth Night, as Orsino confesses that he still views Viola as Cesario while she’s wearing male clothing and will not marry her until she’s back in her female garments. “Cesario, come / For so you shall be while you are a man,” Orsino says. “But when in other habits you are seen, / Orsino’s mistress, and his fancy queen” (V.1.408-411). It appears that despite Viola’s revelation, Cesario is still a character in the picture. Orsino accepts this duality: he keeps both his male confidant and his female betrothed.

 

Twelfth Night revels in pranks and trickery, which help shape the play’s lighthearted tone and much of its comedy, but the play’s conclusion also shows the downsides of deception, as Sir Toby and his friends face the consequences for their actions. As the group taunts Malvolio while he’s held in the dark room, Toby acknowledges that the prank has to end because it’s getting him in trouble with Olivia. “I would we were well rid of this knavery […] for I am now so far in offense with my niece that I cannot pursue with any safety this sport the upshot,” he says (IV.2.70-74). Toby’s scheme to get Sir Andrew and Cesario to duel despite their cowardice, too, backfires, when Sebastian comes along and actually hurts Andrew and Toby in a fight.

 

Malvolio’s punishment for his haughtiness and upward class aspirations is extreme. Accused of being crazy, bound, and locked in a dark room gives him legitimate grievance against the pranksters whom he vows revenge against. These angry works are also one of the unhappy threads left at the end of Twelfth Night, which adds a melancholy tone to the otherwise romantic ending. Despite Olivia, Sebastian, Viola, and Orsino’s happiness, Malvolio is left alone and unhappy, and Antonio, too, is presumably left unhappy when Sebastian leaves him for Olivia. Feste’s final song that ends the play is also melancholy in tone, rather than spirited and happy, focusing on inclement weather and singing about “the wind and the rain” and how “the rain it raineth every day” (V.1.421-423). Coming full circle, this closing song alludes to the stormy weather that caused the shipwreck that first set the play’s events in motion.

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