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Bombs are a key symbol in The Secret Agent. They are particularly important to the anarchists. The novel is based on real-life examples of anarchists using explosive devices in terrorist attacks. These attacks were predicated on propaganda of the deed, a theory that large political actions (such as bomb attacks) would inspire people to rise up. Bombs, therefore, are symbols of the potential for revolution, at least among the anarchists. The anarchists view each bomb as a potential catalyst for political change. The significance of the bomb as a symbol of political change is central to the anarchist ideas expressed in the novel, as the anarchists feel a desire to blow everything apart and rebuild a new society in its place. The destructive power of the bomb is what makes it such a potent symbol. As well as the symbolism of the bomb’s power as a spectacle, its power as a destructive device suggests the need for the old world to be blown apart for the new world to be born. The bomb is far more than a revolutionary tool for the anarchists. For the anarchists, the bomb symbolizes the revolution itself.
Vladimir tells Verloc that he must bomb the Greenwich Observatory. His motivation is predicated on similar beliefs to the anarchists, only in the opposite direction. While the anarchists belief that a bomb attack will inspire the people to rise up in revolution, Vladimir believes that the attack will inspire the state to clamp down on revolutionary activity. Notably, however, Verloc does not intend to carry out the bombing himself. He claims to be an anarchist, yet he does not believe in the importance of the bomb as a symbol of change. The attack will be dangerous, he believes, both in terms of the immediate explosion and the consequences that will follow. As such, he delegates the actual bombing to Stevie. Fitting Stevie with the bomb rather than himself is a symbolic act. By attaching the bomb to Stevie, Verloc is signaling his distance from the ideological beliefs of the anarchists. He is an arch pragmatist, concerned with his own survival rather than the success of the movement. He understands the bomb as a symbol of change, but more in terms of a change to his immediate circumstances than a change to the society itself. Through his relationship with the bomb, Verloc demonstrates his alienation from society and from the revolution. He only believes in himself.
The Professor is the counterpoint to Verloc. Unlike Verloc, the Professor is a true radical. Instead of viewing the bomb as a symbol of the revolution, however, he views the bomb as the revolution itself. Anarchists view the bomb as a tool to bring about revolution, while the Professor views anarchism as an excuse to build and blow up his beloved bombs. This different perspective symbolizes the difference between the Professor and most anarchists. While they claim that the bomb is a mere tool, the Professor reverses their point of view. To him, the revolution is inconsequential. All that matters is the domination of the strong by the weak, a decidedly non-anarchist point of view. The fact that the anarchists work with the Professor suggests a level of pragmatism in their approach. Though he shares none of their ideals, they are willing to work with him because he is willing to provide them with bombs.
To keep his job as a secret agent, Verloc is tasked with blowing up the Greenwich Observatory. The Royal Greenwich Observatory was first built in the 17th century and, by the time the novel takes place, functioned in British society as a symbol of science. Vladimir orders Verloc to destroy the Observatory precisely because of its symbolic value. By attacking the Observatory, he explains to Verloc, the anarchists will be attacking the building that—to the public—best embodies the British dedication to science and progress. In turn, this will create a division in public support for anarchism and cause the state to deal more strictly with the radicals. In this way, Vladimir hopes to weaponize the symbolism of the building. He wants to attack the Observatory for its symbolic value, demonstrating that he is thinking of his battle against anarchism on a more abstract level. By ordering a false flag attack against the Observatory, he can redefine the public perception of anarchism and anarchists, thus giving the state permission to crack down on the people who, he believes, threaten the status quo. The Observatory symbolizes what the public believes is good about their current society, which is why Vladimir hopes that it will be a necessary sacrifice to preserve that society in the long run.
The Greenwich Observatory also has a broader international significance related to Britain’s status as a colonial power. The Greenwich Observatory is the symbolic demarcation line of Greenwich Meantime, the modern means by which international time zones were organized. According to the Greenwich Mean Time system, Britain is the starting point for the calculation of international times and dates. This system places Britain, symbolically, at the center of the world and renders it the organizing principle around which everything and everyone else is arranged. In a chronological sense, Victorian Britain is placed at the very center of the world, just as the power and breadth of the British Empire placed the country at the center of the global political system. Greenwich Observatory, the founding point of the international chronological system, is a symbol of Britain’s status on the world stage. Vladimir, in ordering Verloc to attack the Greenwich Observatory, is also ordering him to attack the building which represents Britain’s position at the center of the global order. Vladimir, a representative of a foreign government, may be targeting anarchists and radicals, but he cannot resist any attempt to undermine the status of the British Empire in a symbolic attack on Britain’s centrality to the international order.
Significantly, however, the attack fails. Verloc sends Stevie with a bomb, but the bomb does not even reach the Observatory, exploding instead in Greenwich Park. In this respect, the plot of The Secret Agent diverges from the real life attack which inspired the novel. The terrorist act in the novel is a failure in terms of symbolism. The desired effect—to target British identity and to turn the public against anarchists—flounders because the attack itself fails. The true failure of the attack is due to the symbolism of the Observatory; without the attack on the Observatory itself, the attack is just another bombing. Vladimir cannot achieve his goals with such a lack of symbolism. This suggests that the symbolism is more powerful than the bomb. For all the destruction caused by the blast, for all the tragedy of Stevie’s lost life, the Observatory itself remains standing and, as such, the status quo continues.
The Secret Agent is set in London, but the specter of continental Europe plays a significant role. Since this destination is never portrayed, it exists largely as an abstract ideal. The Continent, in effect, exists as the counterpoint to Britain. The Continent is the home to Britain’s rival Empires. The French, Spanish, Russian, and German Empires are all engaged in a great game of imperial control for the rest of the world, conspiring against one another in the murky underworld of espionage and deceit as they vie for power. The Continent, to the British ruling class, represents a threat, but a threat of an equal ideology. These rival empires from the Continent are more sympathetic to the British than the future world imagined by the anarchists. The familiarity between imperial powers shows how the abstract idea of the Continent is both stranger and ally, familiar and unfamiliar at the same time. As such, the Continent is a motif that represents the way imperial power prefers to ally itself across borders rather than across social class.
At the same time, the Continent represents a possible vector of escape for Verloc. Since Verloc has a French father and a British mother, he is the son of two countries. He has no particular allegiance to any nation, only to himself. When he fears that he might be targeted in Britain, he makes plans to flee to the Continent. To Verloc, the Continent represents an escape. He can lose himself in other countries, freeing himself from the consequences of his actions. To Verloc, the Continent symbolizes the last recourse, the final way in which he can escape punishment for his crimes.
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By Joseph Conrad