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After a journey of 250 kilometers, the carts arrive at Łơdź. Along the way, the travelers enjoyed greetings, food, and companionship with ordinary citizens, many of whom wanted to hear about their experiences in Birkenau. Łơdź is intact, not having suffered bombardment. Ester meets a group of Hassidim, who tell her where to go to get help from the Central Committee of Polish Jews in finding her surviving family members. Ester tells Ana she will remain with her as she searches for her family. Ester says, “You are not a Jew, this was not your fight, and yet you made it yours. You gave us help in the ghetto and hope in the camp. I will never forget that, and I want to see you safely back to your family in return” (299). Ana feels afraid to knock on her door, so Ester knocks. Her eldest son, Bron, answers it. Quickly, her other sons, Zander and Jakub, join them on the steps. They tell Ana that Bartek died as a leader of the Warsaw uprising.
For two weeks, Ester, who lives with Ana’s family, goes to the Jewish center to search for information about her family. Like many others, she posts a note to Filip with her location. Pushing through the crowd, she sees a man touch her note. It is Noah Broder, whose wife and children died in the camps. Noah tells Ester he was sent with Filip to Chelmno, where they built and ran Nazi extermination facilities. Filip managed to get work as a tailor, altering the clothes of Jewish victims for the wives of Nazi soldiers. Filip and Noah escaped in the snow, though Noah does not know what happened to Filip afterward. Ester returns to the steps of the St. Stanislaus Cathedral where she first met Filip. Leah, her younger sister, appears. Leah tells Ester that her father and father-in-law were hung by the Germans after they killed Hans, the Nazi soldier who tried to rape Leah. She explains that she avoided arrest by marrying a young Jewish man, Adam Wơjick, whose Prussian mother gave them identification papers, keeping them safe. Leah is eight months pregnant and asks if Ana can still deliver babies.
Ana has resumed delivering babies in a hospital. She encounters Rabbi Isaiah Drucker, a Polish soldier who works to find and repatriate Jewish children. He tells Ana he has found three children with tattoos, though none bear Ester’s number. They look out the hospital window, where Ester sits on the cathedral steps every day, hoping that Filip will return. Ana describes taking Ester to Chelmno to look for Filip’s body. They did not find him. The rabbi promises to do all he can to find Pippa.
On the anniversary of the Nazi invasion of Poland—the same day Filip proposed to Ester—she sits on the steps of the cathedral. Ester received a letter from Naomi inviting her to Greece, where she has reunited with her family. Ester also visited Leah, whose daughter arrived just after the German surrender. Ester wonders if it is time to give up her daily vigil. Someone calls her name: It is Filip. She tells him she was at Birkenau. He explains that he joined the Polish resistance after surviving the SS death squad and fought all the way to Berlin, where he received a nearly fatal wound. Ester tells him they have a daughter, whom Filip vows to find.
The Epilogue begins with the repetition of the Prologue, describing Ester and Ana entering an orphanage and walking among the children’s cots. They have learned that one of the small children has a tattoo in its armpit. Family members and Rabbi Drucker assist them in their search. Filip waits in the doorway, watching as Ester rushes to the child. Ester and Ana raise the child’s arm and read the number tattooed there. It is the number assigned to Zofia, which Ester copied beneath the arm of her daughter. This is Oliwia, the first child Ester tattooed. She and Filip have come to adopt the little girl even as they continue to search for their own daughter, Pippa.
Ana Stuart observes that she strived to be historically accurate in her descriptions of Poland, the actions of the individuals she describes, and the timeline of occurrences. The narrative mingles historical individuals, such as Josef Mengele, with fictional creations, such as Ana Kaminski. In the Historical Notes section, the author provides detailed observations about the actual persons and explains why she included them. Mengele and Irma Grese are notorious figures who were present at Birkenau when the events described took place. Rather than using Stanislawa Leszczyńska—the actual midwife of Auschwitz—the author employed poetic license to create two characters—Ana and Ester—whose actions mirror the historical behaviors of Stanislawa. In addition to characters, Stuart uses this final section to offer overviews of the geographical locales, particularly Auschwitz-Birkenau and the Łơdź Jewish ghetto. The author also explains the Lebensborn Programme that led Stanislawa to commence tattooing infants born at Birkenau. Stuart also describes the work of Polish citizens who returned to their cities after the war to rebuild. She names helpful organizations whose relief work caused significant positive impacts in the rebuilding of Poland.
This section takes place as Ana and Ester make their way back to Łơdź, a journey that captures the essence of The Presence of God in the Face of Powerlessness. This section holds a genial, hopeful tone, as Ana and Ester encounter kindness from strangers on the road, including the man who returns them to their hometown. Until Chapter 32—where Ana and Ester work with the Red Cross and find legitimate medical resources to care for their patients—the text’s tone carried harshness, judgment, danger, and violence. Once the Nazis are gone and people with food and medicine show up, the Poland of Chapter 1 returns. Ana and Ester are welcomed and fed as they make their journey back to Łơdź. In the bustle and confusion of the city as it returns to life, every time they ask for help, different people accommodate them without rancor, which feels like the Poland depicted before the Nazis came, a place filled with helpful people and a community that looks after its members.
Upon returning home, Ana and Ester’s story is far from finished. Ana, though she regained her sons, home, and career, makes clear her intention to work with Rabbi Drucker and search diligently for the 60 fair-haired children of Birkenau who were stolen by the Nazis. The description of the work of Ana’s sons implies that they intend to participate in her efforts. Additionally, many non-governmental agencies as well as free-world governments are willing to help in their efforts. Even while Ana returns to the business of delivering children, she will not abandon those she delivered only to be kidnapped, especially because one of them is Ester’s daughter. Ana’s role as a midwife is more than a profession: It is a core part of her character as a nurturer and protector. Ester expresses her gratitude by pledging to help Ana find her family, which she quickly does, and acknowledging that Ana fought for and protected Jews when she didn’t have to.
For Ester, her daily return to the cathedral steps meant that she would not move on until she and Filip reunited, or she discovered what happened to him. When he does return, the text resumes its initial romantic, hopeful tone despite the horrors the couple has faced while apart. Ester immediately informs him of their missing child, and they commit to searching for Pippa, even after they locate and adopt Oliwia. The adoption of this child is a moment of fulfillment in that her birth mother, Zofia, made Ester promise that they would find her baby. The recovery of Oliwia, even in the absence of Pippa, is a statement about the healing of the Polish nation and the Jewish people: Someone is lost and not yet returned; however, in the spirit of true community, the orphaned child will not be left to fend for herself.
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