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43 pages 1 hour read

The Longest Ride

Fiction | Novel | Adult | Published in 2012

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Chapter 29-EpilogueChapter Summaries & Analyses

Chapter 29 Summary: “Sophia”

Sophia, trying to concentrate on a term paper in the library, gets a phone call from a panicky Marcia. Luke has shown up at the sorority house. Brian is there with some buddies and they have been drinking. Sophia heads across campus. When she gets to Greek Row, Luke is indeed in a confrontation with Brian, who slugs Luke. Sophia intervenes, and the two retreat to her room, where Luke tells her that he has decided to retire from bull riding. He asks Sophia to go away with him to the cabins for a couple of days, so they can decide whether they can start over. Sophia agrees.

At the cabin, it is snowing. Luke hints that Big Ugly Critter was at the Florence competition, but tells Sophia nothing else. Swept up in the renewal of their love, the two have sex. Sophia relishes the “warm and peaceful” (352) feeling. On the way back from the cabin, the road is icy. Luke suddenly pulls over and tells Sophia to call 911: There’s a truck off the road with someone trapped inside.

Chapter 30 Summary: “Sophia”

Sophia tries to help the old man trapped behind the steering wheel. His eyes are closed, his head is bloody, but he is breathing. She offers him a drink from her water bottle. The old man mumbles something about a letter that Sophia can barely understand. When the paramedics arrive and gingerly lift the old man out of the front seat, Sophia searches the vehicle for the letter and finds it on the floor of the front seat. Sophia and Luke follow the ambulance to return the letter to the man. At the hospital, the doctor tells Sophia and Luke that the old man, Ira Levinson, is in critical condition. Ira wants to see Sophia and asks her feebly about the letter. When Sophia shows it to him, he asks her to read it. It is his letter to Ruth. Sophia reads it, tearing up, “You are my wife, but more than that, you have always been my one true love […] When I gaze into the depths of the universe, I know my time is coming when I will hold you in my arms once more” (361-62). After putting the letter in the man’s hand, Sophia leaves the room.

Chapter 31 Summary: “Luke”

Months pass. As spring approaches, Sophia worries about life after graduation. She has not received an internship or even an interview. In April, Sophia’s academic adviser suggests she attend an upcoming art auction in Greensboro. Most of the East Coast art museum reps will be there. The collection is reportedly worth millions. It will be a chance to network and maybe find a job.

Without competition prize money, Luke struggles to maintain the ranch and to meet mortgage payments. Uncertain about attending an art auction, Luke nevertheless agrees to go. Sophia reads about the auction and realizes the collection belonged to the man they rescued. He died the day after they brought him in.

Chapter 32 Summary: “Sophia”

The art collection is exhibited in the cavernous Greensboro Convention Center. Walking among the paintings to be auctioned off, Sophia is stunned by the magnitude of the collection and the important artists represented, including Warhol, Johns, Pollock, and Picasso. As the auction begins, Ira’s attorney makes brief opening speech that the value of art comes not from the accomplishments of artists but from how each work shapes the experience of its viewers. The sophisticated buyers from big markets are restless for the sale to begin.

The first item is a painting titled Portrait of Ruth. The artist is identified only as Daniel McCallum, deceased. Even to Sophia’s untrained eye, it is the crude and amateurish work of a child. The audience is unmoved, clearly eager to get to the big-ticket items. No one bids. Luke, who carries only his traveling money, on impulse bids $400 and gets the painting as a gift to Sophia.

At that point the attorney returns to dais to read a codicil from Ira. In it, Ira explains that the collection only meant something to him because it meant so much to Ruth. The art collection reflects their love, and Ira would trade it all for one more day with Ruth. And so, he directs that whoever purchases the Portrait of Ruth, the least valuable item in the collection, but the only one that meant anything to Ira, would be given the entire collection. With that, the auction abruptly ends.

Chapter 33 Summary: “Luke”

The auction explodes in pandemonium, the reps outraged and angered. Luke and Sophia are quickly ushered to a meeting room in the convention center where Ira’s attorney explains that indeed the entire collection is theirs. He advises they hire an estate attorney and arrange to sell the art soon—the events of the day will only make the collection more valuable. Luke cannot believe his good fortune: “Luke drew a deep breath, finally coming to terms with the enormity of it all. The wealth. The ranch. The life he could create with Sophia” (392).

Epilogue Summary

For Luke, the next months unfold like a “fantasy” (393). The auction of the Levinson Collection in New York nets more than enough money to settle his medical bills, pay off the mortgage on the ranch, and even begin the long work of bringing the ranch back up to profitability.

Luke celebrates Sophia’s graduation with her family. Until she finds work in a museum, Sophia will stay with Luke at the ranch. Luke at last shares with Sophia what happened in Florence and why he decided to retire. He set aside his fear and rode Big Ugly Critter, his wild nemesis, to win the competition. Then, he turned down the pick-up truck that went with first place, taking the prize money instead. With it, he bought Sophia an engagement ring, which he gives to her now.

That night after the two have sex, Luke watches the night sky, thinking about how fortunate he has been. The money will save the ranch—but “Sophia was the real treasure he’d found […] worth more to him than all the art in the world” (398). At that moment, a shooting star crosses the sky. Luke smiles, certain that the stranger who changed their lives is looking down on him in approval.

Chapter 29-Epilogue Analysis

The novel’s resolution is marked by coincidence and wildly improbable good luck. The first piece of serendipity is that Luke and Sophia happen to be on the same highway where Ira’s truck skidded off the road. In a Good Samaritan gesture, Luke stops and helps the stranded vehicle, without regard for his safety—again risking his life, but this time not selfishly, but without any self-serving motivation. The coincidences pile up from there. By reading Ira’s letter, Sophia and Luke learn about Ruth—knowledge that will help them identify Daniel’s painting in the auction. The activation of Ira’s wild codicil, which tests heirs like Willy Wonka in Roald Dahl’s Charlie and the Chocolate Factory, rests on Ira and Luke’s lack of appreciation for art: Neither cares about the collection of priceless paintings and thus can see the sentimental value of a child’s drawing.

The novel rewards its characters artfully: They win a lottery, but the plotting makes it feel like they deserve this prize because of their love for each other. This is a trick of focus of course—because the novel has so few other characters, no one competes with Luke and Sophia for best couple. This makes the unbelievably good fortune seem like it has nothing to do with luck. We know that the portrait of Ruth is important to Ira, but Luke’s impulsive decision to buy it is in reality an odd gesture—Sophia cares about actual art, not a drawing by a child she never knew of a person she’s heard about once. The novel collapses its readers’ knowledge with that of a character—a kind of reverse dramatic irony.

The Epilogue cements the connection between the two couples. After Luke finally bares his soul to Sophia, telling her everything that happened during the last competition when he both rode Big Ugly Critter: In a remarkable moment, the bull threw him, but did not charge. “Instead, they simply stared at each other until, incredibly, the bull turned away” (396). This convinces Luke to turn away as well—from bull riding altogether. The complete honesty earns Ira’s posthumous approval—a shooting star that Luke sees the night he proposes to Sophia recalls the one that punctuated Ira and Ruth first declaring their love decades earlier.

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