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27 pages 54 minutes read

The Boogeyman

Fiction | Short Story | Adult | Published in 1973

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Literary Devices

Foreshadowing

Foreshadowing in literature is the warning of, or prior reference to, an event that will occur later in the work. The most prominent instance of foreshadowing in “The Boogeyman” occurs close to the beginning of the story, when Lester pauses to regard Dr. Harper’s closed closet door. He demands that the therapist should open it and let him see what is inside. Dr. Harper does, and Lester sees that the closet contains a coat, a pair of galoshes, and a newspaper—nothing more. This foreshadows not only the open closet in his children’s bedroom at the time of each of their deaths (the telltale sign of the Boogeyman) but also the appearance of the Boogeyman himself at the end of the story. When the Boogeyman reveals himself in Dr. Harper’s office, it is by emerging from the same closet that Lester saw empty at the beginning of the story. Along with repetition, King uses foreshadowing to create a sense of building dread in “The Boogeyman.”

Repetition

Repetition of words and phrases is used throughout literature of all genres to emphasize important details and lead readers to specific conclusions. Throughout “The Boogeyman,” there is one phrase that Lester repeats several times. At each of his children’s deaths, as well as at the end when the Boogeyman appears, he notes that the closet door was open “just a crack” (103). The open closet is a telltale sign of the monster’s presence. In fact, until it gets bolder toward the end of the story, it is the only sign of the monster’s movement in the house at all, and the only evidence of what killed the children. This phrase is repeated with each appearance of the Boogeyman until it becomes, in itself, a reference to the monster. With each repetition, the phrase evokes more and more dread in the reader until, finally, it is repeated just before the Boogeyman reveals itself. The effect is a stomach-dropping feeling as the reader puts together what is about to happen to Lester.

Plot Twist

A plot twist is an unexpected deviation in the plot that changes the story’s direction. At the end of “The Boogeyman,” the figurative rug is ripped from beneath the reader’s feet as the Boogeyman appears, holding a Dr. Harper mask. This plot twist calls into question everything we thought we knew about Lester and Dr. Harper up until that point. Lester’s admissions to domestic violence throughout the story hint that the Boogeyman never existed at all. The probability that Lester killed his children and blamed a non-existent Boogeyman seems an increasingly likely possibility. The final appearance of the Boogeyman in Dr. Harper’s office could be interpreted as a metaphor, suggesting that Lester would rather face a monster than his own guilt. However, it is also possible that the ending is literal and the Boogeyman was impersonating Dr. Harper all along. The plot twist leaves the reader questioning what is true, intensifying the uneasy tone of the whole story.

Point of View

Both first-person and third-person omniscient points of view are utilized in “The Boogeyman.” Lester’s first-person narration occurs in his dialogue as he tells Dr. Harper his story. Through this account, the reader is able to get to know Lester beyond just the plot or the events that happened to him and his children. Readers get to know Lester through his own presentation of himself—including his parenting philosophy and his views on women’s liberation and the Vietnam War. Readers also get a firsthand account of his racist and misogynistic tendencies. Outside of Lester’s dialogue, the third-person point of view gives readers further insight into Lester’s psyche through Dr. Harper’s observations. The therapist notes Lester’s troubling mannerisms, such as his sinister, rubbery smiles, underlining his character’s monstrosity.

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