44 pages • 1 hour read
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Snap, a young, bold, and opinionated girl, is the protagonist of the graphic novel. She has light brown skin and tan, curly hair that she wears naturally. Snap is brave: Even though people say Jacks is a witch who eats animals, Snap goes to her house when she’s looking for G.B. She’s caring: After the bullies push her into the dead possum, she carries the babies back to Jacks house, hoping she can save them. She’s blunt and tenacious: She’s not surprised Jacks is selling the skeletons she articulates, but she is surprised that she’s finally “met an old person who could use the internet” (42). She confronts Chuck when he tries to take G.B., standing up to his manipulation and asserting that “you’re not allowed to be here” (188) as he tries to force his way into their house.
At the same time, Snap is sensitive and conflicted about her identity. Though she can act bold and brash, she feels The Social Effect of Being Perceived As Different. Bullies call her “Snotty,” and Lulu’s brother call her Lulu’s “weird girlfriend.” In these moments, Snap is often illustrated blushing and turning away. She doesn’t like what Lulu calls “girly” things. Though her mother supports her, Snap experiences emotional distress about being different than other girls. She tells Violet that she’s “wondered if maybe I’m a boy, like Lulu’s a girl” (110). Because Snap doesn’t like things society considers girly, she’s wondered if she’s a girl at all. She decides that she feels like a girl even though she doesn’t act like one.
When she learns about the closeness of The Intersection of Magic and Reality, Snap thinks that being a witch would explain her non-girly actions. Snap tries to find external explanations for her identity, rather than accepting who she is. After defending Lulu from transphobic bullies, protecting herself and G.B. from Chuck, and helping to reunite Jacks with Jessie, Snap finds that the most important thing she can do with magic is protect the people she love, who accept her for who she is.
Jacks is a mentor to Snaps, the protagonist. She is a tall white woman with short gray hair and one green eye, with an eyepatch over her missing eye. As she attests, she is often confused for a male due to her androgynous appearance. When she is working outside, she wears a long sleeve black cloak and a wide-brimmed black hat. Inside, she wears casual clothes like bright t-shirts, shorts, and Crocs. This dissonance surprises Snap, who had preconceived notions about what a witch looked and acted like. Jacks met Snap’s grandmother Jessie at a motorcycle race when they were young. Though the two loved each other, they separated because Jacks didn’t want kids. At the end of the graphic novel, Snap reunites them.
Jacks’s influence helps Snap move past her assumptions about witches and magic, and Snap helps Jacks become more accepting of different types of magic. Initially, Jacks has strong opinions that the stereotypical trappings associated with witches are junk that distracts from the real uses of magic. Jacks teaches Snap that witches are “always on the outside. And so, witches got made into scary things to be feared. To excuse the cruel things done to us. That’s what scared folks did. Still do” (122). The town, for instance, thinks that Jacks is a witch who “fed her eye to the devil” and eats roadkill and pets (1).
Though Jacks doesn’t seem bothered by the town’s rumors, in her youth, she was kicked out of her house by her parents. Her parents saw her as an outsider and rejected her for it. This memory haunted Jacks, affecting her relationship with Jessie and her desire to have kids, lest she hurt them the way she was hurt. Jacks’s strict way of performing witchcraft, and her avoidance of the objects stereotypically associated with witches, is her way of keeping Snap away from the hurt of rejection.
Jacks has two animal familiars: One-Eyed Tom and the buck spirit. Jacks hit One-Eyed Tom, a fox, with her motorcycle while driving emotionally after splitting up with Jessie. She used magic to re-animate him by feeding him one of her eyes and stopped riding her motorcycle altogether. This linked the two of them. Jacks can see what One-Eyed Tom can see with their shared eye. She used him as a sentry to keep Jessie’s family from harm after their separation. The buck is a spirit of a buck deer that Jacks saved after it was hit by a car on a road near her house. While most spirits move on, the buck never left her. It re-animates Jacks’s old motorcycle so she can come to Snap’s aid after One-Eyed Tom saw Chuck attacking her. Both animals help Jacks because of the empathy she showed them.
Lulu is Snap’s best friend and her friendship with Snap helps show The Strength of Found Family: Snap unquestioningly accepts Lulu’s interests, actions, and presentation as she moves toward socially transitioning. She is Black with dark skin and dark hair which is short until Snap makes it grow. Lulu plays baseball with the bullies, so she is hanging out with them when they push Snap into the dead possum. Lulu is the only person who tries to check on Snap. She and Snap live in the same trailer park and they become friends when Lulu compliments G.B., and they bond over their shared love of the Witch Hill movies.
Lulu and Snap have very different personalities. Lulu is nurturing, steady, and likes “girly” things, while Snap is brash, outgoing, and dislikes “girly” things. Lulu tells Snap she doesn’t “care if you don’t like girly things. You don’t make fun of me for liking them” (66). The reason for their friendship isn’t due to their similarities, but because neither of them judges each other for their differences.
Over the course of the graphic novel, Lulu socially transitions. When she meets Snap, she still goes by her deadname. Lulu begins painting her nails and wearing the skirt Snap gives her, then going by her lived name Lulu at home and school. The bullies make transphobic comments about Lulu, and Lulu and Snap both stand up against them.
At home, Lulu is fully supported by her parents. After she comes out to them, her mom stops making her wear her brothers’ hand-me-downs and lets her pick her own clothes, while her dad reads books to educate himself about having a trans child from the library. Lulu and Snap inspire and support one another: Snap’s magic is triggered because Lulu wishes she had longer hair, and Snap inspires Lulu to take up magic herself.
Violet is Snap’s mom and is Black with dark skin and hair, which she wears in braids, and she has tattoos on her arms. She is a hard-working single mother who is recovering from a relationship with her abusive ex-boyfriend named Chuck. She works several jobs and takes night classes to get her degree. She often gets home late at night, leaving Snap to take care of herself after school. She worries she’d been “relying on [Snap] to take care of herself too much” (185). Despite this worry, Violet is unflinchingly supportive of Snap. When a bookseller says the book about skeletons Snap is interested in isn’t suitable for “little girls,” Violet defends her. She humors Snap when she gets “grouchy ‘cause all the skeleton decorations were ‘anatomically incorrect’” (185).
She is also sensitive about Snap’s struggle to navigate her identity. She gently asks if Snap feels like she’s “a boy? Like the way Lu’s a girl” (110). She doesn’t ask out of judgment, but so she can better support her child’s needs. When Snap confirms that she feels like a girl but doesn’t act like it, Violet is quick to point out that there is no one way a girl should act, and the important thing is how Snap always defends her friends.
Violet’s family has a tradition of naming their daughters after their mother’s favorite flower. This is how Snap got her full name, Snapdragon. Violet’s own name is a testament to her mother Jessie’s continued feelings for Jacks, who brought her violets when she returned her handkerchief.
Jessie is Snap’s grandmother, Violet’s mother, and Jacks’s ex-girlfriend. Until the final pages of the novel, the reader only sees Jessie in an extended flashback where Jacks recounts the highlights of their relationship. In these flashbacks, Jessie is animated as a Black woman with dark skin and short, curly hair. In the contemporary timeline, she looks similar, but older with gray hair. Jacks describes how Jessie was the only person at a motorcycle race who realized Jacks wasn’t a “fella,” and gave her a handkerchief for a scratch on her face.
Jessie is warm, social, energetic, and accepting. When Snap asks Violet if Jessie ever talked to her about matters of gender and sexuality, Violet says Jessie “had talks with my brothers an’ me ‘bout all sorts of stuff they be callin’ ‘progressive’ these days” (112). After Jessie compliments Jacks, calling her handsome, Jacks tries to tell her she’s a woman, but Jessie says, “Makes no difference to me!” (93). Jacks tells Snap that because they were in an interracial relationship between two women in the middle of the 20th century in the rural South, “Lotta folks saw us two together as all kinds of wrong” (97). However, it isn’t these prejudices that lead to their separation, but Jacks’s disinclination to have kids.
Jessie has a large family with Snap’s grandfather, who passes away long before the start of the graphic novel. Through that marriage, Jessie didn’t forget Jacks. Her family has a tradition of naming their daughters after their favorite flower. Jessie is allergic to flowers and so she doesn’t have a favorite; however, Jacks brings her violets when she returns her handkerchief. Naming her daughter “Violet” highlights the specialness of her and Jacks’s relationship even after it ended. One of the revelations Snap has the idea to reunite Jacks and Jessie, which leads to their joyful reunion.
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