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Long sentences with multiple clauses allow the author to create complex descriptions, helping the reader visualize the setting and plot. For example, the story’s second sentence, with three clauses, provides ample information both about Giovanni and his intended domicile:
Giovanni, who had but a scanty supply of gold ducats in his pocket, took lodgings in a high and gloomy chamber of an old edifice, which looked not unworthy to have been the palace of a Paduan noble, and which, in fact, exhibited over its entrance the armorial bearings of a family long since extinct (Paragraph 1).
A metaphor is a figure of speech in which a term is applied to something to which it is not literally applicable to clarify some aspect of that thing. It is like a simile but does not use such words as “like” and “as.” For example, when describing the purple flowers in Rappaccini’s garden, the narrator uses the metaphor “the lustre and richness of a gem” to describe their vibrant color (Paragraph 7).
Personification is a literary device that endows inanimate objects or plants and animals with human characteristics. The narrator uses phrases, such as “peopled with plants and herbs” and “crept serpent-like” to bring the garden description to life (Paragraph 7). The way Beatrice interacts with the poisonous flowers is also a way of personifying the plants.
Repetition is the frequent use of certain words and phrases. This technique allows the author to subtly suggest certain interpretations, emphasize key ideas, or create a specific atmosphere. For example, in the first paragraph of the story, the word “young” is repeated three times in relation to Giovanni. Likewise, a range of words related to flowers and plants appear repeatedly in relation to Beatrice.
A simile is a descriptive comparison that uses words, such as “like” and “as,” to make the connection between two things clear. Hawthorne’s story is filled with similes. For example, when Giovanni first sees Beatrice, she is described as “beautiful as the day” and “as if another flower” (Paragraph 14).
A symbolic allegory is typically a character that represents an idea. For example, in The Divine Comedy, Beatrice represents both Dante’s beloved, a real-life woman he was acquainted with, and the concept of divine wisdom and purity. Similarly, in “Rappaccini’s Daughter,” each character and the setting have their autonomous narrative functions but can also be read as vehicles of certain ideas or discourses prevalent in Hawthorne’s times.
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By Nathaniel Hawthorne