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54 pages 1 hour read

Pickwick Papers

Fiction | Novel | Adult | Published in 1836

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Character Analysis

Samuel Pickwick

The novel’s descriptions of Samuel Pickwick, the protagonist and the founding member of the Pickwick Club, are simultaneously ordinary and extraordinary. The Introduction notes of Pickwick that “a casual observer might possibly have remarked nothing extraordinary in the bald head, and circular spectacles” (12), yet Pickwick’s ordinary looks hide the “gigantic brain” and “beaming eyes” (12) of a genius. Before starting the Pickwick Club, Pickwick was a businessperson and a scholar, known for his travels of Hampstead and his published study the “Theory of Tittlebats.” Pickwick takes an interest in all subjects, especially those related to his travels and human behavior. The core tenets of the Pickwick Club are founded on Pickwick’s love for observation, which has led to the curation of the Pickwick Club’s papers but also tends to get Pickwick in trouble, as in Chapter 2, when his notetaking about his coachman makes the coachman think Pickwick is a spy.

Despite his high status among his friends and community, Pickwick is far from immune to the comedy and chaos of The Pickwick Papers and typically experiences trouble inadvertently and hilariously stemming from coincidences that occur during the club members’ misadventures. Although renowned for his wisdom and speech, Pickwick isn’t clearheaded when he most needs to be, which leads him into a farce of a trial involving his landlady. Pickwick’s great sense of propriety is somewhat the subject of mockery in the text because he often becomes publicly intoxicated, and in one case mistakenly enters the bedroom of a stranger and must find a way to escape in only his pajamas. One of the novel’s most famous scenes depicts Pickwick chasing his hat after it blows off in the wind, unable to catch it as those who witness this laugh at him. While the novel establishes that Pickwick is the pinnacle of grace and dignity, the disruption of this poise enhances several of the novel’s most comical moments.

Because Pickwick is an elder of the group, other Pickwickians look to him for wisdom and consider him a man of utmost virtue, almost as if he were a god among men. When he tries to go after a man who has slandered his friends, the other Pickwickians must hold him back, saying “he must not peril his distinguished life in such a cause as this” (66). The pride and respect his friends have for him is mirrored by Pickwick’s own loyalty and care for them: He often defends their honor and supports them any way he can. Pickwick’s valet, Sam, refers to him as “a reg’lar thoroughbred angel” (815), and his friends all kiss him under the mistletoe at Christmas to show how much they care for the kind man whom many of them view as a father figure. Pickwick is the novel’s moral center, and his actions guide those of the people around him. As the novel progresses, others value him not only for his wisdom and sense of propriety but also for his good deeds and empathy. Perhaps his most significant act is to help the treacherous Jingle get out of debtors’ prison. His empathy for Jingle, a man he tried to have arrested for grievous deeds throughout the novel, emphasizes Pickwick’s kind heart as his most significant trait and implies that striving to be as forgiving as he is can serve one well in life.

The Pickwickians

Tracy Tupman, Augustus Snodgrass, and Nathaniel Winkle make up the remainder of the Pickwick Club’s primary members. Although each has his own personality traits, as a whole, these men are friends and confidants to Pickwick who reflect and support his interests throughout their travels. Tupman is the closest in age to Pickwick and, despite his age and the text’s mocking description of his looks, he’s depicted as a romantic who takes every chance to flirt with the women around him and frequently falls in love. The irony of Tupman’s primary trait is mirrored in the other Pickwickians as well, yet Tupman seems to endure the most fallout because of the disparities between his goals and his character. Early in the novel, he falls in love with Rachael Wardle, but the nefarious Jingle plots against them and they’re never married, as they hope. Tupman flirts with various other women, often the younger companions of his friends, considering himself worthy of their reciprocation. Tupman ends up alone, having never proposed again, yet the text hints at the possibility of him finding love because he has “the admiration of the numerous elderly ladies of single condition” (1013).

“The poetic Snodgrass” (13) is another Pickwickian whose character description and habits seem to be at odds with one another. Although much of what Snodgrass does is considered “poetic,” such as how he is “poetically enveloped in a mysterious blue cloak” (14) or has a “‘poetic turn’” (24) or “a poetical depression of spirits” (44), Snodgrass is never depicted actually writing poetry or reading it to his friends. What appears to be his main character trait is entirely absent from the papers curated for the novel; the text makes more of his love story with Emily Wardle. Although not as scandalous as Winkle and Arabella’s relationship, Emily and Snodgrass’s relationship is nonetheless forbidden by her father, who wants Emily to marry someone of higher standing. However, the close friendship of all the Pickwickians and the Manor Farm company, as well as the couple’s openness about their relationship, lead the two to a marriage that all bless. Snodgrass and Emily are married in Pickwick’s new house the first day he takes possession of it, and the two return to Dingley Dell to settle down and have a family.

Winkle is primarily known as a sportsman who enjoys shooting, riding, and other athletic pursuits. However, much like his friends, he’s rarely able to do the things he’s most known for. When the friends go out shooting together, Winkle accidentally shoots Tupman and never hits his targets. In addition, he loses his horse when the Pickwickians try to make their way to Dingley Dell, forcing the whole company to walk. Although good-natured, Winkle often gets into trouble and is frequently accused of having affairs with the wives of his friends because of farcical misunderstandings. Despite these claims, Winkle is steadfastly devoted to Arabella Allen, who has been essentially promised to another man. The other Pickwickians help keep Arabella and Winkle’s relationship secret, yet Winkle secretly elopes with Arabella, and their marriage is ultimately blessed by everyone, most of all Pickwick. This diverse cast of characters, though seemingly disparate from one another, are united by their shared interests in travel and expanding their minds as well as their devotion to Pickwick and his ideas. As a whole, the Pickwickians, though very different from Pickwick himself, reflect his core views and exemplify his mindset.

Samuel Weller

While working as a bootblack at an inn, Sam Weller meets Pickwick, who recognizes his exemplary qualities and almost immediately hires him as his valet. Although many characters can’t see past Sam’s lowly station and Cockney attributes, Pickwick quickly notices Sam’s particular brand of wisdom along with his hard work and honesty. In many of Dickens’s novels, some of the “lowest-born” characters are the wisest, as is the case with Sam, whose idiosyncratic aphorisms often guide Pickwick and his followers through their most challenging moments. Significantly, Sam also exhibits elements of the Pickwickian mindset and has traveled more than any of the Pickwickians and extensively noted the habits and behaviors of the people around him just as the Pickwickians do.

Sam’s other most prominent characteristic is his loyalty to Pickwick. When Pickwick is imprisoned and tells Sam to find work elsewhere, Sam responds, “This here sort o’ thing won’t do at all” (746) and gets his father to arrest him for his debt so that he’ll be forced to stay with Pickwick until he leaves the prison. Sam even refuses to leave Pickwick once his adventures are over and he no longer needs a valet, staying beside him even when Pickwick insists on providing for Sam so that he can marry the woman he loves. Sam reciprocates the loyalty Pickwick shows his friends and, in this way and others, Sam is somewhat of a parallel to Pickwick. Not only do the men share the same first name, but they also value honesty, wisdom, and loyalty above all else. Although they have vastly different backgrounds, Sam’s morals match those highly valued by Pickwick, and the younger man is often even more generous and attentive than his employer. Not only is Sam a frequent hero figure during the predicaments in the novel, but he also highlights how the Pickwickian mindset transcends class or social standing but is instead based on virtues that anyone can embrace.

Alfred Jingle

A fast-talking, strolling actor and overall scoundrel, Jingle is a foil to Pickwick throughout most of the novel. Jingle meets the Pickwickians when he saves them from what would likely turn into a mob and heads into Rochester on the same coach. Despite his sometimes treacherous actions, Jingle, like Sam, displays many traditional Pickwickian qualities, and on the ride to Rochester he recounts the observations he has made on his many travels, enchanting Pickwick in particular. When the men dine together, however, Jingle takes advantage of their hospitality and gets them drunk, later wearing Winkle’s coat and getting him into trouble after a ball because he was wearing the Pickwickian emblem. Pickwick is furious once he discovers that Jingle is a scoundrel who tries to elope with Rachael Wardle, but he becomes more furious with Jingle as his escapades continue. When Jingle hires Job Trotter and gets him to fool Pickwick and Sam into embarrassing themselves, Pickwick devotes himself to tracking down Jingle and having him arrested regardless of the cost. However, when he meets with Jingle in prison toward the end of the novel, Pickwick recognizes the hardships Jingle has faced and, in one of the novel’s most pivotal moments, forgives him and helps him out of debtors’ prison. Afterward, Jingle highlights the human capacity for change when he and Job become “worthy members of society” (1013), thanks to Pickwick’s kindness and generosity.

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