55 pages • 1 hour read
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During Sunday morning, Ebony-Grace puts her Afro into four pigtails and puts on her Superman t-shirt and shorts—the clothes are for boys, and Granddaddy bought them for her, as Momma disapproves. She has a smile on her face and a spring in her step. According to Granddaddy, it’s her “soulglow,” and she needs “soulglow” today because she plans to save Captain Fleet and Bianca.
Though it’s Sunday, Daddy has business at the shop. He suggests Ebony-Grace get “acclimated” to her new home. She goes outside, and a woman offers to bring a plate of food from church. She then goes down to Bianca’s apartment and knocks. Bianca’s abuela, Señora Luz, answers and warmly greets Ebony-Grace. Bianca is less excited to see her. Ebony-Grace asks Bianca if she’s okay, and before Ebony-Grace can tell Señora Luz a fantastical story, Bianca gushes about a “sonic boom.” A smile consumes Ebony-Grace, and she goes to church with Señora Luz and Bianca.
Ebony-Grace hates church. Church is where Momma pinches her when she doesn’t pay attention. It’s where her mom’s friends call her a “divorcee” behind her back, and it’s where Sunday school students tell her that Jesus isn’t an astronaut. She lies to Señora Luz and claims she doesn’t have a dress. Señora Luz doesn’t believe her. Momma is “fancy,” like the wealthy singer Dominique Deveraux from the primetime soap opera Dynasty (1981-1989). As they’re running late, Señora Luz lets Ebony-Grace not dress up this time.
Walking to church, the trio passes tall buildings, crumbling buildings, churches that aren’t their church, and tons of trash. Bianca tells Ebony-Grace not to step on the cracks—if she does, she’ll break her mom’s back. Ebony-Grace doesn’t believe her, and she wonders if the evil minions told her that nonsense. Bianca says they’re neither evil nor “onions,” but the girls are her friends. Ebony-Grace says it’s “minions,” not “onions.”
Ebony-Grace turns the cracks into moon craters—step on them, and the Earth blows up. Playing along, Bianca doesn’t care if the Earth explodes: They’re already on the moon, and Bianca’s grandma is with them, but Ebony-Grace’s dad is on Earth with the evil “onions.” Ebony-Grace can’t blow up Earth if her dad is still on it. Bianca counters: If she rescues her dad, she saves the “onions” too.
After 14 blocks, the trio enters the church, Holy Redeemer Church, and Calvin (Pigeon-Chest Boy or Stone-Cold Calvin) heckles Ebony-Grace for not wearing church clothes. Ebony-Grace wants to hit him, but Bianca dissuades her. Calvin tells her she isn’t Wonder Woman, and one of his “minions” notices she has on boy clothes. Calvin and his friends laugh at Ebony-Grace until adults quiet them.
Ebony-Grace hears the adults whisper that Daddy “dumped” her on Señora Luz, and they lament her outfit. Señora Luz says she’ll dress properly next time. Unable to restrain herself, Ebony-Grace blurts out there won’t be a next time. Sweetly, Señora Luz says Ebony-Grace and Bianca can go to Sunday school together.
As Bianca and Ebony-Grace go to the Sunday school area in the church basement, Ebony-Grace offers to help her rebel against King Sirius Julius and liberate No Joke City. Bianca rolls her eyes, expresses her annoyance in Spanish, and calls Ebony-Grace “so weird.” The other children harp on Ebony-Grace’s Superman outfit, and one boy asks if he can wear his Adidas tracksuit next Sunday. Using her Bracelets of Submission, Ebony-Grace deflects the comments. She screams Jesus isn’t an astronaut and runs home.
Daddy tells Ebony-Grace she can’t “run around” Harlem. She doesn’t know the neighborhood, and she’d probably give a “dope fiend” $5 and let him use their bathroom. Ebony-Grace doesn’t know what “dope fiend” means, and she can’t tell if Daddy is angry at her or speaking loudly due to the music. He plays Al Green’s “Love and Happiness“ (1972), and Ebony-Grace thinks he’s trying to control her mind.
Daddy tells Ebony-Grace that people believe he should’ve let her stay in Alabama, but he didn’t want Granddaddy’s “stuff” to negatively impact her. Ebony-Grace wants to know about the “stuff” happening with Granddaddy.
Grandaddy wasn’t a NASA astronaut but a NASA engineer. Without him, there’d be no space shuttles. Before graduating from elementary school, Ebony-Grace went into his office closet and tried on the space suits—the suits worn by Sally Ride (in 1983, she became the first woman to travel to space) and Guion Bluford (in 1983, he became the first Black person to travel to space). Momma caught her and scolded her. She wanted her daughter to wear a frilly dress to graduation, but Ebony-Grace wanted to wear a space suit. At graduation, she planned to announce her true identity: Space Cadet E-Grace Starfleet.
During graduation, Ebony-Grace didn’t reveal anything, and Granddaddy wasn’t there. When Ebony-Grace returned, Granddaddy was in his rocking chair on the front porch, and it looked like his imagination was gone. Momma’s friends said Granddaddy had lost his “soul” and couldn’t atone for that “kinda sin.” As Granddaddy prepared for his “long trip,” he told Ebony-Grace that she had to stay undercover. She asked her grandpa about his mission. Avoiding the question, he told her she’d be fine.
Back in Harlem, Ebony-Grace talks to Momma on the phone, and Momma says Granddaddy is in a “bit of trouble” due to poor choices. Ebony-Grace has to stay in New York City longer. She promises Momma to keep her distance from the car shop and the kids. She can’t play in the trash, but she can play with Bianca, attend church, and read books from the library. Ebony-Grace asks for details about Granddaddy’s “trouble,” but her Momma remains vague.
Ebony-Grace doesn’t try to eavesdrop on Momma and Daddy’s phone call. She wishes she had a VCR to watch Star Trek: The Motion Picture—Special Longer Version (1983). Instead, she reads a Star Trek comic book and then folds a piece of paper into a tiny square. Sometimes, her imagination feels like a miniature square—there’s no room for new thoughts.
Daddy hires Diane, a teen girl who just graduated high school, to babysit Ebony-Grace. According to Momma, any person with the name of Diane or Diana is a diva, including Diahann Carroll (the actress who plays Dominique Deveraux on Dynasty), Diana Ross (the singer), and Princess Diana. Diane wears a “too-short” t-shirt, shorts that look like “underwear,” and plastic sandals. Ebony-Grace thinks Diane—or Diva Diane—looks like a Soul Train dancer from space. Diane babysat Ebony-Grace years ago when she was 14, but Ebony-Grace doesn’t remember.
Ebony-Grace follows Diane around Harlem like a “stray dog.” They run into teens wearing chains and Adidas, and one teen boy calls Diane “D-Boogie” and makes fun of Ebony-Grace for her Southern style. Using a telephone cord, other girls invite Diane to jump rope. The girls sing, and Ebony yells, “Blast off!” causing Diane to mess up.
Diane and Ebony-Grace go to the laundromat, a hair store, and a bodega (a small grocery/general goods store). Ebony-Grace avoids the cracks, and Diane says the cracks belong to the heads of her former boyfriends. Ebony-Grace says they’re moon craters, and Diane says Ebony-Grace is “outta sight.”
At Marcus Garvey Park, they see Calvin and his friends, and Calvin mocks Ebony-Grace for needing a babysitter, but Diane is babysitting Calvin next Friday. Calvin calls Ebony-Grace “ugly” and claims her glasses help her see through walls. Ebony-Grace says she can see through Calvin’s head, and there’s nothing there. Bianca threatens to hit Calvin if he doesn’t stop bothering Ebony-Grace, but when Ebony-Grace calls her and Bianca a “united front,” Bianca hushes her.
A group of girls—“nefarious minionettes”—arrive, and they wear the same tight, colorful, and short clothes as Diane. Rainbow Dull introduces herself as Monique or Mint Chocolate Monique, and she’s the leader of the Nine Flavas Crew (Nine-F Crew), which Ebony-Grace pronounces as “flavors.” She says “flava” isn’t a word. Diane says it is a word like “dope,” “fly,” and “fresh.” Diane suggests Ebony-Grace join the crew, but Bianca doesn’t think that’s a good idea.
Bianca is a member of the dance group. She’s Butter Pecan Bianca. There’s also Rum Raisin Rhonda, who has a side ponytail in beads and cornrows; gray-eyed Coconut Collette; bigger-bodied and smiley Vanilla Fudge Vanessa; Mango Megan, who’s taller and has a side Afro puff; Pistachio Paula, who’s taller than Vanessa; Cookies and Cream Christine, who wears thick glasses; and Strawberry Stacey, who has red cheeks.
Monique says Ebony-Grace lacks “flava” and calls her an “ice cream sandwich”—in other words, she’s chocolate (Black) on the outside but vanilla (white) on the inside. Ebony-Grace claims chocolate and vanilla are flavors, but she doesn’t want to be a flavor: She’d rather be a space officer. Monique quips Ebony-Grace is “so black” that she looks like outer space.
Ebony-Grace would rather be an “ice cream sandwich” than a flava. She wants to go home, but Diane makes her stay in the noisy, bustling park and watch the Nine-F Crew double-Dutch and breakdance.
Ebony-Grace remembers when Granddaddy told her about Planet Boom Box, the Funkazoids, and the Sonic King. That day, Ebony-Grace and her mom brought lunch to Granddaddy at the Marshall Space Flight Center. She identified herself as “Cadet E-Grace Starfleet,” but Granddaddy hushed her—he didn’t want her to expose their secret mission. Granddaddy introduced Ebony-Grace to Star Wars and Star Trek, and Granddaddy told Ebony-Grace she was about to go to Planet Boom Box (New York City).
Momma scolded Granddaddy for putting “nonsense” in her daughter’s head, but Granddaddy replied that outer space kept him “grounded.” Momma said outer space won’t stop the negative newspaper reports, and Granddaddy said the newspapers were never kind: They once referred to him and the other Black NASA engineers as “uppity Negroes.”
Later that night, Ebony-Grace and Grandaddy listened to a mixtape Daddy sent her, “Fresh from the Boom Box.” Granddaddy called the soulful funk songs gibberish, but he used the lyrics to create a melodious bedtime story for Ebony-Grace, featuring the Funkazoids, their Sonic King, and the mind-controlling Sonic Boom.
The Nine Flavas Crew continues the theme of Self-Expression and Identity Creation. The girls turn themselves into flavors to convey their group membership and unique attitude. Each girl takes on the name of a flavor, so they belong together. Yet their distinct flavors create separate personalities. Zoboi uses the literary device of imagery to develop quick pictures of the girls, allowing the reader to see their different traits. Vanilla Fudge Vanessa is “chubby and short and is all smiles” while “Pistachio Paula is so tall, she looks like one of those Harlem Globetrotters” (105).
Zoboi uses diction to show how Ebony-Grace and the Nine Flavas clash. Ebony-Grace turns “flavas” into “flavors,” causing Coconut Collette to shout, “No, it’s flava. Flava! Put your neck into it.” Ebony-Grace screams, “Flava is not a word!” (105). The argument over diction—the word “flava”—juxtaposes Ebony-Grace with the Nine-Flavas and reinforces their contrasting cultures.
The culture and belonging motif appear as Ebony-Grace’s pronunciation of “flava” shows that she doesn’t align with Nine Flavas culture, so she doesn’t want to be a part of their group. Monique reinforces Ebony-Grace’s outsider status when she calls her “[a] plain ol’ ice cream sandwich! Chocolate on the outside, vanilla on the inside” (107). The diss involves figurative language. Ebony-Grace isn’t literally an ice cream sandwich—the words represent something else: racial stereotypes. She has Black skin but acts white and likes stereotypically white things, like outer space.
Using irony, Ebony-Grace twists the harmful epithet. She screams, “But chocolate and vanilla are flavors!” She doubles down on her rejection of their culture by declaring, “And who wants to be a flavor, anyway! I’d rather be an astronaut, a space cadet, a hero saving the planet, stupid face!” (107), foregrounding the theme of Imagination Versus Reality. Armed with a powerful imagination, Ebony-Grace stands up for herself. The reality of the Nine Flavas crew—despite their imaginative nicknames—is no match for her outer space fantasies.
Ebony-Grace’s response to the “ice cream sandwich” highlights the book’s sense of humor. Ebony-Grace is ironic and ridiculous, and the reader can laugh at her behavior without denigrating her. In other words, they can see the humor in her outlandish imagination while understanding that her dramatic devotion to the outer space narrative is sincere. Ebony declares, “If there’s anything I need most on this Planet No Joke City it’s a VCR” (92). She also wonders, “Why would Jesus want to stay in boring heaven when he could visit other planets?” (66). The lines are ironic. They play with expectations and norms about technology and religion, and the twists produce comedy.
Zoboi continues to highlight how Ebony-Grace stands out from those around her. Her experience at church illuminates the themes of Imagination Versus Reality and Self-Expression and Identity Creation. Walking to church with Bianca and her grandmother, Bianca suggests the traditional child’s game of “Step on a crack, break your mother’s back,” but that doesn’t work for Ebony-Grace. Rather, her imagination compels her to turn the cracks into moon craters with the earth’s survival in the balance. At church with Bianca and her grandma, her Superman outfit—which expresses her individuality—causes quite a stir because it contrasts sharply with the other churchgoers in their dressier church clothes.
Zoboi subverts the juxtaposition between Harlem and Huntsville through the theme of community and concern. Harlem doesn’t lack compassion. People look out for one another. Daddy lets Bianca and her grandma live on the ground floor, and they welcome Ebony-Grace and take her to church. Daddy also helps the people in the neighborhood by employing them—he hires Diane to watch Ebony-Grace. Even people Ebony-Grace doesn’t know offer assistance. When she hangs outside the brownstone, an unnamed woman in a church hat tells her, “I’ll come by later to drop off a plate from church” (63). The Harlem that Ebony-Grace experiences juxtaposes the dangerous place that she, the news, and Momma make it out to be. Harlem isn’t perfect, but it doesn’t lack humanity.
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By Ibi Zoboi