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45 pages 1 hour read

Me, Frida, and the Secret of the Peacock Ring

Fiction | Novel | Middle Grade | Published in 2018

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Character Analysis

Paloma Marquez

The novel’s protagonist, Paloma, is a 12-year-old girl from Kansas. She is passionate about mystery novels featuring the fictional detective Lulu Pennywhistle, demonstrating her keen thinking skills and penchant for a mental challenge; this metafictional detail also anticipates her role as a detective figure in this novel. Paloma is a friendly and social pre-teen who enjoys the company of her friends and is therefore reluctant to spend a month away from them while she travels to Mexico with her mother.

Paloma’s life is defined by the absence of her father, who was killed in an accident when Paloma was a toddler. She hungrily takes in any anecdote about him that her mother offers, driven to gain a sense of the person he was. These glimpses of her father are so important to her that Paloma writes them down and saves them—along with other objects representing him—in a special box. This establishes the novel’s exploration of Discovering Familial Heritage.

Paloma quickly falls in love with Mexico, however, and all aspects of its culture. Though she is hesitant to prove her mother right, Paloma embraces the opportunity to draw closer to her father by learning about her own Mexican heritage. Paloma adapts quickly to her new environment, demonstrating her strong social skills by reaching out to others her age and swiftly making new friends. Her cheery personality and outgoing nature draw others to her. Indeed, it is the purple flower she wears in her hair on her first night in Mexico that signals to Gael Castillo that Paloma is similar to his beloved Frida Kahlo. These qualities make Paloma stand out as a protagonist.

Paloma becomes taken by Frida’s art and life story, demonstrating her ability to examine art in meaningful intellectual ways but also to identify with the emotion behind it. At the same time, Paloma is a careful and logical thinker; at all junctures of locating the missing ring, she proceeds with caution, not wanting to place herself in a dangerous situation and sensing that she must operate with discretion. She maintains a degree of skepticism, not instantly trusting the Castillos. She is therefore a round character who is driven by both reason and emotion.

Later, when she learns that their father is the culprit of the jewelry theft, she must once again evaluate the Castillos’ trustworthiness. She is able to use logic to determine that their insistence that their father was framed—and thus, that they are genuine in their pursuit of justice—is true, and she forgives them for not being entirely forthcoming. In the end, Paloma achieves a sense of satisfaction by locating the missing ring. Most importantly, she develops when she shows that she values justice and fairness, and these ethics cause others to praise her.

Gael Castillo

Paloma meets Gael and his sister Lizzie on her first night in Mexico. As one of the members of the mariachi band, Paloma is moved by the song he plays. Her perception of Gael, however, changes many times throughout the novel, and he is therefore a dynamic character who is both shrouded in mystery and helps to resolve it. Initially, when he invites her to take part in solving the ring mystery, Paloma deems Gael strange and cunning, certain that he is trying to trick her. She is skeptical as to why he has singled her out, given that he does not know her at all. In this way, Gael comes across and bold and undeterred. Though Paloma agrees to help him solve the mystery, at times Gael strikes her as suspicious. Indeed, he is not entirely forthcoming and hides certain details from Paloma. These inconsistencies complicate his character, making it unclear whether or not he can be trusted, and thus Cervantes uses him to contribute to the novel’s suspense.

However, as the nature of Mr. Castillo’s role in the missing ring becomes clear, it is apparent that Gael, like Paloma, deeply cares about his father. Gael is driven by not only a desire to free him but by a belief in justice and honesty. Further, he genuinely cares for Paloma and desires for her to be safe, evident in the Aztec eagle medallion he gives to her. He feels remorseful for having kept the truth of his fathers’ whereabouts, as well as other actions he has taken in pursuit of his father’s freedom, a secret from Paloma, as Gael respects her and values her friendship. When they part at the end of the novel, the genuine nature of Gael’s character has been restored as Paloma feels that his deceptions were justified in the interest of exonerating his father.

Tavo Farill

Tavo is the son of Mr. Farill, the man responsible for the fellowship Paloma’s mother has earned. Tavo is one of the first people whom Paloma meets in Mexico. He is presented as quiet and attractive, and he appears lonely to Paloma. As she becomes acquainted with him, Paloma can see that Tavo is friendly and personable, often teasing Paloma good naturedly about her interest in Frida Kahlo’s art. Tavo appears occasionally throughout the novel as the Castillo twins caution Paloma not to spend time with him. In this way, it is suggested that he is somehow dangerous for Paloma to be around. However, when Paloma is with him, he seems kind and unthreatening. This conveys a message about trusting one’s instincts, a skill on which Paloma relies throughout the novel.

Ultimately, Tavo is unaware of his father’s wrongdoings. He is deeply saddened by these actions and does not share his father’s greed for money or physical objects of value. Tavo demonstrates his strength of character by forgiving the Castillo twins for breaking in to his house. Likewise, he understands that Paloma, too, did not intend to harm him personally by exposing his father’s crimes. In this way, Tavo highlights the importance of The Pursuit of Justice for the Greater Good, since he stands to lose the most when it comes to making ethical choices.

Paloma’s Mother

Paloma’s mother is the reason that Paloma must spend four weeks of her summer in Mexico. Having been granted a fellowship, the trip will require that she complete academic projects while the two reside there. Paloma speaks of her mother being immersed in her work and little else, suggesting that this has been a coping mechanism for her since the death of Paloma’s father. The mother and daughter are close and warm toward each other and the camaraderie they enjoy is clear. She is therefore a guiding figure in the novel.

It has been a goal of hers to bring Paloma to Mexico, which is the birthplace of Paloma’s father. Her aim is to help Paloma learn about her own culture and its history in order to honor her late husband. Paloma’s mother misses him and loved him dearly and her commitment to him is motivating to Paloma. She lovingly but firmly nudges Paloma to partake in activities to which Paloma initially objects, such as attending summer courses in Spanish language and in Mexican culture. Paloma’s mother therefore represents the importance of discovering familial heritage.

Paloma’s mother is highly protective of Paloma, evidenced when she grows upset when Paloma sneaks out to meet Gael at Casa Azul at midnight. Her reaction to Paloma’s transgression—taking away Paloma’s phone and forbidding her to talk to Lizzie and Gael—indicates her desire to keep Paloma safe. She therefore generates conflict in the novel even while she is a guiding figure. Though the punishment frustrates Paloma, she recognizes that her mother, in all things, operates in Paloma’s best interest. 

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