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138 pages 4 hours read

Educated: A Memoir

Nonfiction | Autobiography / Memoir | Adult | Published in 2018

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Symbols & Motifs

The Mountain

The mountain—Buck’s Peak, where Tara Westover grows up—is the most evocative symbol in her memoir. The mountain symbolizes home for Westover herself. The house she lives in is situated at the base of the mountain. Having lived in the shadow of the mountain her whole life, the mountain’s natural characteristics are also symbolic: The mountain symbolizes stability over time for Westover. Seasons may change, but the mountain remains the same, which is a source of comfort and reassurance for her. The mountain is also like a sort of “north star” for Westover. When she feels sad, overwhelmed, or afraid, she runs to the mountain and looks at her home and the surrounding area from its vantage point. On the mountain, Westover knows who she is, and she knows where she belongs.

Until college, Westover never traveled far beyond the mountain for long periods of time. Everywhere she went nearby, the mountain was always visible to remind her who she was. But as she moves away from home and loses sight of the mountain, her sense of who she is begins to change, and the mountain serves less and less as an anchor point for her identity, culture, and beliefs.

When Westover goes to Cambridge for graduate school, it seems as if she has left the mountain behind for good. She does not know how to be the new person she is becoming through her education and feels that she still has a place on the mountain. As she grows, however, she finds a new way to relate to the mountain, to be her new self and go back home. In the end, the mountain still has not changed, but Westover’s way of looking at it has. Her relationship with the mountain shows that people can often find new ways of connecting with home.

The Concept of the “Whore”

The word “whore” comes up frequently throughout Westover’s memoir. At a young age, she remembers her father referring to the women at their local church as whores for wearing what he considered to be “immodest” clothing. When Westover became a teenager and started going through puberty, her older brother, Shawn, regularly called her a “slut” and a “whore.” He would even physically abuse her until she admitted aloud that she was a whore. His accusations also involved him telling Faye and Gene that Westover was a “whore” and making up stories about her behavior in town. He would claim that she acted promiscuously, when she only ever did harmless things, like applying lip gloss or having a casual conversation with a boy at the local theater. When she was 15, Shawn’s accusations resulted in Gene insisting that Faye have Westover examined to ensure that she was still a virgin. At the time, Westover had never even kissed a boy.

Shawn’s cruelty toward Westover seemed to be his way of making sure that she did not act like a “whore.” Anytime she did something that he associated with “whorish” behavior—applying lip gloss, for example—he would find a way to punish her afterward. One night on the way home from the local theater in town, his punishment involved rolling down all the truck windows in extremely cold and windy weather and laughing as he watched Westover shiver and cower against her seat.

But to act whorishly is not just about sexual behavior to Gene. When Westover announces that she wants to go to college, Gene prays about her decision, and eventually tells her that the Lord has called him to testify: “He is displeased. You have cast aside his blessings to whore after man’s knowledge. His wrath is stirred against you” (141).

The image of the whore symbolizes what Gene considers to be godless behavior. Any choice, any decision, any state of being that rejects “his blessings” is whorish. To view people’s behaviors as whorish is to see the world as Shawn and Gene see it, and labeling people’s choices as whorish is to define them to themselves. The problem is that this image is extremely powerful within a fundamentalist culture; to be a “whore” is to be constantly on the defensive. In Gene’s world, the righteous always have free reign to do whatever it takes to cure a person of his or her whorish behavior. For those labeled as “whorish,” the feeling of being outcasted can easily persuade them that they deserve the abuse that is heaped upon them at the hands of those who see themselves as righteous. This cycle recurs throughout Westover’s memoir. 

The Apocalypse

One of the significant issues in the Westover household is Gene’s instability. His moods swing wildly between animation and despondency. A good example of how this comes after Y2K. When Gene learns about it, he becomes convinced that Y2K will mark the Second Coming of Christ, which is the Christian vision of the apocalypse. He becomes obsessed with it, and he forces his family to prepare for the end of the world. His anxiety even bleeds on to Westover, who finds herself waiting up on New Year’s Eve to watch television for reports of widespread chaos. When nothing happens, Gene falls into a depression, and Faye tries to cure it by taking the family to Arizona. These rollercoaster mood swings are exhausting for Westover, who constantly worries about her father’s reaction to her choices and events in her life. Westover will later identify Gene’s instability as signs of bipolar disorder. Because of her family’s intense religiosity and rejection of traditional medicine, Gene’s condition goes untreated.

Throughout Educated, Gene’s mania manifests most often as an obsession with the apocalypse. Whether it’s Y2K or his children being taken by the government because they do not attend school, Gene is obsessed with the idea of the end of everything. Given this, readers can see how this preoccupation connects to his relationship with Westover, too. The more education Westover receives, the more she pulls away; Gene sees this as an “end,” both to his control over her and her integrated role in the Westover clan. In that way, the apocalypse becomes both a symbol and a motif. It is a motif in that it recurs throughout the novel, but it also symbolizes two other important things. First, it’s a manifestation of Gene’s untreated mental illness. In many ways, when Gene becomes obsessed with the apocalypse, the results are borderline apocalyptic for the Westover family, too. Additionally, this preoccupation with the end of the world represents Gene’s own inner anxieties about his life and family falling apart. He is deeply afraid of what it means for things to “end,” which is why he tries to hold on to his beliefs, the mountain, and his children with an iron grip.

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