53 pages • 1 hour read
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Content Warning: This section of the guide makes reference to violence, racism, anti-gay bias, anti-trans bias, and sexual violence.
As the novel opens, Thomas McNulty looks back on his youth and time in the army, beginning around 1851. He reflects on the process of preparing dead soldiers for burial in Missouri. He joined the army at about age 17 (he isn’t certain), despite the poor pay, for lack of better prospects for work. He allows that being in the army was a good life, if not an easy one. Thomas is grateful his first and last friend, both in America and in the army, was John Cole, whose Native American heritage and looks led older soldiers to make racist comments. Thomas is an orphan from Sligo, Ireland, whose family died in the famine, and who journeyed through Canada before coming to the United States. John is an orphan from New England, whose father died when he was 12. An older Thomas reveals these biographical details interwoven with his recollections of his past, which are recounted in a somewhat linear fashion with various digressions. The boys, who met in St. Louis under a hedge where they waited out a rainstorm, felt an immediate kinship for one another, Thomas recalls, despite their instinctive wariness brought about by difficult childhoods.
Thomas considers not recounting their childhoods “out of respect for the vulnerable soul of John Cole” (17), though he doesn’t consider anything they did to survive shameful. They decided to team up to continue surviving and looked for jobs other people considered beneath them. Thomas recalls their pride and willingness to do anything for food. Scant opportunities for work in Daggsville, Missouri leave the boys impoverished; Thomas wears only a wheat-sack secured at the waist and John has an ancient suit with so many holes that his genitals are exposed. To avoid looking at his friend’s nudity, Thomas focuses on John’s face, which he admits to finding attractive.
They find a saloon advertising for “clean boys,” and when they enter, the bartender (whose name is Titus Noone) offers them a position that pays 50 cents a night if they “give satisfaction,” with a bunk in the stable and all they can drink included. John is suspicious, but Noone says the work is “just dancing,” and shows them the women’s clothes they will be wearing. John says they aren’t women, but the bartender isn’t concerned; there are no women in Daggsville, so he’s hiring boys to dance with the miners. He assures them the job is dancing only, no sex work. Thomas isn’t concerned, as he would prefer even this strange work to starving.
Noone gives them a bath, soap, and “the underwears.” They are impressed with the pay of 50 cents each, and Thomas recalls how, in the years to come, he and John would laugh over that amount many times. That evening, John and Thomas put on the dresses with help from Noone, who forgot to purchase them shoes. They wear wigs and stuff their bodices with cotton. Thomas feels liberated and happy in women’s clothing. John never reports how the women’s clothes make him feel, and Thomas appreciates his discretion.
Thomas thinks that miners are “all sorts of souls” (22), including rough, cruel men who commit sexual violence (especially against Native American women) while others are more genteel. Despite these differences in character, all the miners treat John and Thomas (who use the names Joanna and Thomasina) well, behavior that is enforced by Noone who keeps a shotgun handy. In the two years they dance in the saloon, the boys are treated respectfully and never touched inappropriately. Miners, enjoying the fantasy, give them gifts and ask for their hands in marriage. The boys get older and begin to be less-convincing to the miners as girls, so Noone sends them away, promising to write with news twice a year.
Thomas and John join the army and are sent west to California after training. They travel along the Oregon Trail, and wonder at the abandoned possessions of travelers, including a piano left in the desert. They see New Englanders heading west, Mormons headed to Utah, and Native Americans heading to reservations. The company is made up largely of older soldiers, though there is another young man named Watchorn, who tells Thomas and John about seeing buffalo stampede a mile-wide train of wagons. They crossed into grasslands, headed to receive their orders, though John overheard the major talking and learned that the officer already knew where they were going.
Two Shawnee boys encounter the company, reporting a herd of buffalo nearby. Thomas, an unlikely excellent shot since he’d never shot a gun before joining the army, is chosen to go. He knows their “work” when they reach California will be to kill Native Americans. Though the major of their company professes no prejudice against Native Americans, the sergeant, Wellington, hates them, as well as the Irish, the English, and the Germans. Thomas, John, and Watchorn go with the two Shawnee boys and come upon a herd of thousands of buffalo. The men approach quietly, getting close before the buffalo notice them and stampede. Thomas targets a cow with his rifle while one of the Shawnee, Birdsong, shoots a bull with arrows. Thomas feels a rush when he succeeds. They butcher the six buffalo they have killed, communicating via sign language. The mood around camp is celebratory due to the good food. The Shawnees celebrate nearby until Wellington threatens to shoot them.
Thomas reflects on the nature of Irishmen and recounts his own history. His father was a butter exporter in Sligo who transported goods to England. All the good products went to England, leaving only potatoes in Ireland. Without a potato crop, they starved. In 1847, Thomas’ mother and sister starved and his father lost his business, though Thomas doesn’t know how. Thomas, then 13, knew he had to flee to survive and boarded a boat to Canada. The passengers were so starved “they might eat each other in the holds,” though Thomas states he never saw any cannibalism (34). Many died on the six-week journey and, when they arrived in Canada, the Irish passengers were quarantined. This treatment makes Thomas feel like an animal. He backtracks his recollections to say that his father died too, but that conditions were so bad that Thomas wasn’t able to properly mourn. Only when he got to America and met John was he able to experience love again.
Returning to his story of his time in the army, Thomas recalls arriving at Fort Kearney (though he is uncertain that he remembers the name correctly) in northern California. Miners there were killing as many of the Yurok people who lived there as they could. When the army arrives, the miners attempt to justify this behavior by describing crimes supposedly committed by the Yurok (such as stealing a mule) or making racist generalizations about the Yurok, calling them small and ugly. The miners, led by a man named Henryson, are pleased the army has arrived and give them a keg. The soldiers get drunk.
John and Thomas encounter Major as they head to bed. Major, tongue loosened by alcohol, reveals he is angry that they have come all this way over a stolen mule; he had been led to believe settlers were being murdered. The major stumbles away, and John calls him “a good man” (28). He and Thomas retire, have sex, and sleep.
The company heads out the next morning in good spirits, traveling through the redwoods. The enormity of the trees causes the men to instinctively grow silent. They come upon a massive fire in a meadow. Henryson is there and tells them to attack the Yuroks in the copse of trees. Smoke is everywhere and Thomas is astonished by the quick brutality of the battle. The smoke clears and he’s horrified to realize they have killed women and children. He watches troopers kill babies and Watchorn and another man, Pearl, rape and then kill a woman. The slaughter continues until the major arrives and orders them to stop, horrified. The troopers retreat from the battle scene. Thomas recalls the strange feeling of alienation from themselves. The roof of the burning building collapses, revealing many dead Native American men inside. Some of the troopers celebrate, while others mourn.
The townspeople give the soldiers a feast to celebrate the killings, butchering meat that includes the dogs of the murdered Yuroks. Major detains Pearl and Watchorn at the fort and orders graves be dug and the bodies buried, though the townsfolk are surprised he bothers. Major declares that Native persons have souls like any other person. Thomas can’t think about how he feels about these mass burials, as they remind him too much of the mass death in the fever sheds in Canada. The men dig for hours, supervised by Major, who requests a priest come give a blessing to the dead but is denied by the townsfolk. Some of the men place the bodies in the graves carelessly while others, like John, place them in gently. Thomas finds himself hoping that some of the Yurok men escaped. Major gives a blessing over the dead and asks for forgiveness.
The next day, the soldiers dress as nicely as possible for the feast, brushing their uniforms and getting haircuts. They parade, impressed with their own grandeur. Major lets Watchorn and Pearl join the festivities—they are not a flight risk as there is nowhere nearby to run to—so Major elects to punish them later. Despite the celebratory mood of the day, Thomas feels sadness over the murdered Yurok people.
The older version of Thomas telling the story recalls how that era felt timeless, a feeling that no longer applies to him as he recounts his life from Tennessee. He thinks back on how handsome John was.
The company is stationed at the fort for the winter; they’ll be sent elsewhere in spring. Despite Thomas’s experiences of the Yuroks as nonviolent towards the settlers, stories are told of atrocities committed by other Native Americans. Thomas receives a letter from Noone on St. John’s Day, as promised. The winter is bitterly cold and the soldiers have little to do. Major frees Pearl and Watchorn, punishment evidently forgotten.
The snow melts, causing flooding. One morning John shakes Thomas awake as their bunks flood with filthy water. The company devolves into chaos, trying to find high ground as a massive wave of water sweeps into camp, high enough to drown the men who had taken refuge on rooftops. The tree in which John and Thomas sit bends under the weight of the water, nearly knocking them loose. Dozens drown. Soon after, a fever sweeps through camp. With their camp ruined and their cattle gone, the company are forced to return to Missouri early. They find little to eat and soon grow desperately hungry, causing Thomas to reflect on the indifference of nature. (For more on this, See: Themes: Horrors of Man Versus Indifference of Nature.)
The company passes into Apache and Comanche territory, two tribes about which they have heard stories of extreme violence. Major opines that white men and Native peoples don’t understand one another, which he considers the root of their conflict. The threat of starvation and that of the nearby Native Americans become equal to the soldiers.
The company encounters several hundred Oglala Sioux men (though called the “Oglala Sioux Tribe” at the time in which this novel takes place, the Oglala people are now formally known as “Oglala Lakota Nation”). Both the soldiers and their horses are worn down by hunger. The Oglala men watch as the company continues its progression, Wellington sings the whole time which grates at Thomas’s nerves. Ahead of them, the company spots a single Native American man on a horse, carrying a pennant. The company arranges themselves into formation, aiming muskets. The man is undeterred. Wellington wants to try shooting at him, but Major stops him. Both army and solo man stand in place as Major rides out to meet the Native man. Major returns, saying the man was just curious about their presence. Wellington makes racist comments only to be silenced when Major reveals that the Oglala are willing to share food with the company. Meat is left cooking over a fire, and the Oglala have retreated by the time the company reaches the bounty. Wellington is baffled that the Oglala left without violence, and Pearl states he “be thinking well” (51) of Native Americans after this act of generosity, which angers Wellington.
About five days ride from Missouri, an ice storm overtakes the company, causing many men to get frostbite. Watchorn suffers worst of all and must be lashed to his horse, which later leads to his death. Pearl is court-martialed for raping the Yurok woman and is executed by firing squad. John wishes to leave the army, but he and Thomas have to finish their term.
The first chapters of Days Without End present the structure of the novel, which has an older Thomas McNulty recalling the details of his life beginning when he was approximately 16 years old. Barry emphasizes the reconstructed nature of the narrative, specifically the way memory and the desires of the narrator affect the factuality of autobiography. When considering the difficulties of their childhoods, Thomas declines to offer much detail, commenting, “Maybe out of respect for the vulnerable soul of John Cole might skip ahead violently and avoid an account of our earlier years” (17). Thomas thus presents himself as someone beholden more to the people he loves than any strict ideology of truth-telling; Days Without End is introduced less as a reporting of history than as a recounting of one person’s memory of that history. Autobiography, per Barry, is presented as a story of the self with a particularly heavy emphasis on storytelling.
The notion that there is pleasure in such storytelling is underscored by the introduction, in these chapters, of the idea of gender play as fantasy. When Thomas and John take on the roles of dancing girls at Noone’s saloon, the miners (who are, by Thomas’s estimation, frequently hard men) are smitten with the “ladies” despite knowing they are actually boys (at least in John’s case; Thomas’s identity is more in flux). While Thomas’s experience donning women’s clothing provides a personal revelation and jumpstarts the novel’s thematic engagement with Gender, Sexuality, and Queer Family-Making, the miners find a kind of beauty in indulging in the fantasy and experience particular freedom in it precisely because it is fantasy. Noone comments, “You won’t hardly credit how nice, how gentle a rough miner dances. Make you cry to see it” (21). In choosing, collectively, to believe a certain performance of gender, the group finds itself capable of niceties that would otherwise be impossible but that, evidently, each member longs for. The mystery of self-constructed identity delights Thomas. As he and John leave Daggsville, he thinks, “We knew we was fragments of legend and had never really existed in that town. There is no better feeling” (25). The capacity to write one’s own story, to become a legend or a fantasy, is rife with joy for Thomas.
After John and Thomas join the army, the ways in which duty and morality often conflict appears—a conflict that will remain relevant throughout the novel as Barry points to Moments of Humanity in War that stand in stark relief to the greater horror. They meet Major, who, throughout the bulk of the novel, attempts to reconcile these things by taking a more high-minded approach to fighting Native peoples on the plains. According to Thomas: “Major was of the opinion, and communicated it to us as we lined up reluctantly with our spaces for the work, in that hateful and haunted place, that an Indian got a soul just like another man” (42). Though Major’s views are less steeped in virulent racism than that of many of the other characters (such as Wellington), these chapters also introduce the idea that this is not materially significant in the end. Major, propelled by supposed duty, does still commit atrocities against Native peoples, and his efforts to diminish violence are ineffectual.
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