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42 pages 1 hour read

Clear Light of Day

Fiction | Novel | Adult | Published in 1980

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Chapter 4Chapter Summaries & Analyses

Chapter 4 Summary

The story returns to the present, with Bim and Tara still in the family garden. It opens from the perspective of Tara, who has begun to realize how much the family’s house and finances have degenerated. She worries that Bim, who is only five years older, has begun to get old and may not be capable of taking care of herself and the household. Despite the painful way Bim often treated her when they were children, Tara cannot free herself from the guilt of the bee incident—when a hive of bees attacked Bim in the Lodi Gardens and Tara, as she remembers it, ran away and left her sister alone with the bees. Bim barely remembers the incident, but for Tara it marks an important moment in her relationship with her sister—an abandonment that stands in her imagination for larger abandonments to come. Bim deflects Tara’s guilt—in her memory, Tara ran for help, not to escape. They discuss the upcoming wedding, and Bim tells Tara she is “bored of Raja” and that “rich, fat and successful people are boring” (145). Bim becomes angry and defensive because of Tara’s talk of Raja’s opulent life. She thinks her sister is “cruel” and “cold” and her brother is “selfish” to have excluded her from this life and left her the responsibility of running the family business and household. She becomes further angered that Raja is not attending the business meetings, trying again to get Baba to attend. She knows the other trustees resent her female presence.

Tara begins preparing for the arrival of her daughters and for their upcoming trip. She tries to discuss Bim’s situation with her husband, but he is only interested in the logistics of his train travel. Bim decides to sell the family business, but neither Bakul nor her neighbor Jaya is interested in discussing the matter. Bim’s anger has been growing all day, and she releases it on the hapless Baba. Realizing she has crossed a line, Bim is scared that she has upset him, but when he awakens from his nap, he is the same smiling person. Her outburst leads to an epiphany: She realizes that her family is part of her, and that she needs to repair her relationship with her brothers in order to be whole herself. She also realizes that Raja had not wanted to be a hero, but rather to mimic the heroes of his childhood.

Tara’s girls arrive and Bim’s relationship with her nieces is relaxed and loving. While she does not attend the wedding, she tells Tara to bring Raja back with her for a family visit. Bim also realizes how similar she and her sister are. Bim and Baba attend a musical concert in their neighbor’s garden, and the event reminds Bim of the old days before Independence and the Partition. Mulk—the youngest of the Misra brothers—performs along with his guru, and Bim is reminded of a quote from T. S. Eliot’s Four Quartets: “Time is the destroyer time is the preserver” (183).

Chapter 4 Analysis

Chapter 4 returns to the scene of the opening chapter, with Tara observing the older sister Bim in the garden. Whereas Bim appeared mostly eccentric and distant in the opening section, she now seems vulnerable through the loving eyes of Tara. Tara has journeyed through the often-painful memories of her past and has come to realize that she was not as innocent as she had believed, nor was Bim as selfish. Tara was willing, even eager, to abandon her family and the burden of its responsibilities, while Bim stayed behind to care for their aging aunt and younger brother. Wounded by her brother’s insensitivity, Bim was too proud to reconcile with him or ask him for help.

The motif of the bee incident, in which Tara abandons her sister to be swarmed by the angered hive, continues to haunt Tara. It seems that part of her actions stemmed from the jealousy and resentment she felt toward her older sister. Bim thinks Tara is obsessed with the incident (“‘Oh Tara,’ Bim groaned. ‘Not those bloody bees again!’” [175]) and seems to believe that Tara fled to seek help for her sister. But Tara knows better—she simply ran away and left Bim behind to suffer the consequences. Chapter 1 describes Bim as the “attractive” sister whom men buzzed around like bees (41), even though Tara was considered the “pretty sister” (41). Even Bakul wonders if he married the wrong sister. Tara admits to Bim that she might have used Bakul as “an instrument of escape” (158). To Tara, the bee incident is connected to her larger abandonment of her family. Once she left with Bakul, she never looked back; not when Mira was sick and not even for her funeral. Tara cannot forgive herself for these sins and tells Bim, “Nothing’s over, ever” (175). The brief line has powerful implications for the theme of Family and Nation: Just as the Das family’s past continues to reverberate in their present, so does India’s. Bim has another epiphany at this time, as she realizes that Tara’s desperation reflects her own, and that the two sisters are more alike than different.

Bim’s other realizations that day concern her brother Raja and her family as a whole. She seems to realize and accept her brother’s failings. He never wanted to be a hero but rather to mimic those from history and literature who came before him. She does not want to be independent of her family, as they are an integral part of her, but she also needs to repair the tears in the fabric of their lives so that they can all become whole. The theme of Trauma, Memory, and Silence reaches a resolution here: While memories of the past can inflict pain and destruction, they can also preserve what is important in life.

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