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47 pages 1 hour read

Angle of Repose

Fiction | Novel | Adult | Published in 1971

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Symbols & Motifs

The Mines

Oliver is an engineer, and his life revolves around mines. Susan is an artist and a writer, married to a man whose life revolves around mines. As such, the literary significance of mines, mining terminology, and the notion of untapped resources buried in deep and impossible-to-reach places becomes an important recurring motif.

The novel's title takes its name from a mining term, the steepest angle of descent or dip relative to the horizontal plane to which a material can be piled without slumping. Lyman finds a quote from his grandmother in which she adores the literary symbolism of this phrase but does not explain what she means. It is a mining term, demonstrating how she is incorporating the minutia of her husband’s life into her works. Lyman ponders her meaning, his explanations varying from the bluntly literal (him lying down) to the flippantly symbolic (the crumbs of dust tumbling down the side of the tragedy-infused canal). That Lyman never settles on one certain answer is significant: The importance of interpretation is clear and, in that respect, this one metaphor becomes an analogy for his entire project. Just as Lyman is trying to deduce what his grandmother meant regarding this one metaphor, he is trying to deduce how she lived her life and how he might follow in her footsteps.

On a grander scale, the mines themselves are condensed metaphors for the West as a whole. The mines represent men’s desperate attempts to extract wealth and fortune from the unknown. The valuable minerals are buried deep underground, and finding them is as much chance as it is expertise. Hence, so many projects collapse and fail, taking down those invested in the mine. This is true of the entire West: There are fortunes to be made in the vast, untamed country, but succeeding out beyond the pale of society is as much chance as it is expertise. Various characters are brought short by random events like illnesses, crimes, betrayals, and mistakes. Just like trying to find wealth buried deep underground, trying to find success in the West is a difficult job with no guarantee of success.  

Literature

If Oliver’s life revolves around mines, then Susan’s revolves around art and literature. Though she begins her life as an artist, Susan soon turns toward writing articles and eventually novels in her quest to finance her family. She documents everything about life out West, and the commissions she receives help keep the family afloat. However, there is a greater symbolic meaning to the literature in her life and Lyman's life.

Large parts of the story are told through Susan’s letters, many of which form the foundations for her literary pursuits. She learns to write these letters—and, by extension, her prose—out of necessity. Separated from the people she loves, she uses her writing to communicate with the life she has left behind. Literature allows Susan to keep alive that part of her personality that is rooted in the East. Through books, she establishes a conversation with her friends, her publishers, and her readers that never ends. Though she is physically in the West, this act of publishing literature allows her to remain—at least in spirit—some way in the East.

Literature provides Susan with a means of forming important bonds with people she meets. At first, it seems a surprise to her that people in mining camps could be well-read. Soon, however, she has found a string of people with whom she can talk about literature, art, and everything else that she has left behind. Oliver does not offer her this outlet, but men like Frank do. Literature is one of the key bonds between Frank and Susan. They talk about books often, and she is impressed to hear his thoughts on whatever they are reading. This helps to establish the romantic connection between the two, as Frank is providing Susan with an intellectual outlet that would never be possible with Oliver. As much as literature is a solace for Susan in one sense, it is a temptation for her in another. The love of literature that she and Frank share kindles the fire of romance between them, eventually leading to the fateful events in 1890.

As well as Susan, Lyman’s life is filled with moments of literary significance. Though he is a historian, he is also the author of several successful books. The process of writing this particular book is different from the others; this is personal to him and important to his future. The act of writing is not just a question of researching distant historical figures, but of investigating the emotional history of his family and applying these lessons to himself. Lyman is disabled and has lost the capacity to do many things, but he can still write. Thus, literature and the writing of a book becomes an emotional outlet for Lyman. The act of writing becomes a motif. Just as it allowed Susan to remain connected to a life she had left behind, it allows Lyman to remain connected to a family he has lost and to an intellectual pursuit that he had worried had left him behind.

Roses

The house where Lyman lives has a rose garden, tended to by his father. Numerous houses where the Ward family lived during the 1800s also featured rose gardens. At first, it seems as though these are a gift from Oliver, an attempt to make Susan feel more at home away from Milton (where her home had a rose garden of its own). By the end of the novel, they take on an added significance.

The rose garden represents Oliver’s attempts to bring a touch of civilization to life on the wild frontier. He understands the sacrifice that Susan has made in coming to live with him, and he wishes to give her something back. Susan grew up on a lush, fertile farmstead, where roses and other flowers bloomed every year. Understanding the nostalgic significance of these plants, Oliver plants numerous rose beds and nurtures them into life. He allows his wife to recapture those parts of her life she thought she had left behind. It is a small but significant gesture, demonstrating Oliver’s depth of feeling and emotional complexity.

When Oliver finally learns about the affair between Susan and Frank, the rose garden takes on a new purpose. Barehanded, Oliver drags up every single rose that he had planted, watered, and nurtured. Just as he rips the flowers out of the ground, Susan has ripped his heart out of his chest. Still bleeding, Oliver rides away and does not return. The couple separates for two years and eventually reunites, but their marriage is never the same again. The destruction of the rose garden symbolizes the destruction of their marriage.

At the end of the novel, Lyman notes how his father planted a new rose garden at the house near Zodiac mine. He began cultivating roses and growing hybrids. In Oliver’s old age, this was something of an engineering project, a way to keep his mind active throughout retirement. There was one particular strain of roses that he never shared with anyone—a tribute to Agnes, Oliver’s dead daughter. Though Oliver had torn up the rose bed as a demonstration of his diminishing love for Susan, he grows a unique type of rose to signify his enduring love for his lost daughter. 

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