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46 pages 1 hour read

All Boys Aren't Blue

Nonfiction | Autobiography / Memoir | YA

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Part 2Chapter Summaries & Analyses

Part 2: “Family”

Part 2, Letter 1 Summary: “Dear Little Brother”

Content Warning: Part 2, Chapter 8 references anti-gay bias, while Part 2, Chapter 9 alludes to HIV/AIDS. The Part 2 Analysis discusses slavery, HIV/AIDS, racism, and anti-LGBTQ+ bias.

“Dear Little Brother” is a short letter addressed to Johnson’s younger brother, Garrett. Garrett, who is cisgender and heterosexual, is proof that anti-queer bias is not innate, sharing a deep bond with his older sibling. Johnson especially appreciates Garrett never making Johnson feel as if they had to separate their Blackness and queerness when so many others did.

Part 2, Chapter 7 Summary: “Nanny: The Caregiver, the Hustler, My Best Friend”

Chapter 7 is about Johnson’s maternal grandmother, Nanny. Johnson spent most of their after-school hours at Nanny’s house (the “Big House”) as a child due to their parents’ work schedules. Nanny spent most of her time raising her grandchildren when their parents were unable to.

As Johnson grows older, they begin self-isolating due to their queerness and the pressure to conform. Nanny senses this and takes Johnson under her wing, becoming their best friend in the process. Nanny openly accepts them when they come out as gay later in life. Johnson credits her for making them who they are.

Part 2, Chapter 8 Summary: “Daddy’s Second Chance”

Chapter 8 is about Johnson’s father and his side of the family. Johnson explains that their father’s side of the family is traditional with respect to gender roles, which leads Johnson’s older half-brother, G.G., to be estranged from their shared father. Johnson themself clashes with their father, whom they describe as patriarchal, when their father expects his 70-year-old mother to cook and clean up after him. Johnson’s relationship with their father changes when he learns that Johnson can play sports very well, finally giving him something to connect with his child over. Despite the differences between father and child, Johnson’s father cares deeply for them in his own way. Johnson asserts that this means the barriers between queer and non-queer Black people, especially straight Black men and queer Black people, are surmountable.

Part 2, Chapter 9 Summary: “Losing Hope”

Chapter 9 is about Johnson’s transgender cousin, Hope. Hope comes out at a family gathering, and Johnson then watches Hope and her friend Cookie transition over the years. Hope is a role model for Johnson and their only experience of gender nonconformity; though Johnson will later realize they don’t wish to transition, they nevertheless share certain traits with Hope. Hope sees this in Johnson and frequently asks to spend time together. Though Johnson regrets it now, at the time they were embarrassed and afraid of being seen with Hope in public. Hope wastes away from a sickness Johnson does not name and dies young. Johnson holds Hope up as an inspiration and a reason to fight for the rights of the transgender community.

Part 2, Letter 2 Summary: “Dear Mommy”

“Dear Mommy” is a letter to Johnson’s mother. Johnson writes that their mother is the strongest person they know; she always made sure that Johnson had a solid community and family around them. Johnson’s mother has brain surgery with high fatality risks when Johnson is 10. She keeps a sunny disposition through this all. After the surgery, Johnson must care for their mother and feed her, which they describe as a beautiful experience; they finally can give back to their mother what she has given them their whole life. Their mother did not hesitate to accept Johnson when they came out to her, and Johnson expresses their love for her.

Part 2, Chapter 10 Summary: “A Lesson Before Dying”

Chapter 10 is about the death of Johnson’s grandmother, Nanny. Johnson grew up under Nanny’s wing and is accustomed to helping the older woman take care of herself. Johnson’s cousins—Rall, Rasul, and Thomas—are not used to this, and they are shocked when Nanny asks Thomas to help her get dressed. The scene is comedic, concluding with Nanny saying, “You might have to wipe my ass one day” (110). This sentence impacts Johnson greatly and stays with them all their life as a reminder that they need to take care of the people who took care of them, especially in old age. While Johnson was writing All Boys Aren’t Blue, Nanny developed brain cancer, resulting in Johnson coming back to this chapter and adding onto it from this new perspective.

Part 2 Analysis

Many of Johnson’s relatives avoid the bias cisgender and heterosexual people often hold against queer people. “Dear Little Brother” is a letter to Johnson’s younger brother, Garrett, regarding his acceptance of Johnson. Garrett’s acceptance is important enough to warrant its own letter because the theme of breaking cycles of violence is so important to Johnson’s narrative. Johnson writes in Chapter 4 that “Adults who participate in homophobia create kids that do the same” (47), illustrating the taught and cyclical nature of anti-gay bias. Garrett, who now has a child, can model queer acceptance for a new generation.

Chapter 7 reflects on Nanny’s role in Johnson’s life. Johnson begins self-isolating due to their feelings of being different and their struggle with their queerness. Nanny sees this and does what she can to protect Johnson from the dangers of isolation, breaking the cycle of violence perpetuated by cisheteronormative families. Johnson interweaves the personal with larger historical context by referencing Giovanni Melton, whose father killed him for being gay (84). Johnson’s family is unusual in its level of acceptance, and Johnson wishes every family could have their own “Nanny,” reinforcing the idea that violent anti-queer behaviors are learned and that families are the place to unlearn them.

Chapter 8 touches on the historical context that shaped Johnson’s father’s side of the family. Johnson directly quotes Jim Crow laws to describe the environment their paternal grandmother grew up in. This environment excused white women from legal obligation to help Black men in hospitals and barred Black barbers from cutting the hair of white women. As a result, Johnson’s paternal grandmother, who grew up amid such laws, denounces white people. Their grandmother is also a devout Christian, while Johnson’s father is patriarchal to the point of expecting his aged mother to care for him. This context implicitly ties together racism and anti-queer bias. The southern United States boasted the vast majority of enslaved African Americans, many of whom could not afford to leave post-Emancipation due to the sharecropping system, Jim Crow laws, and other legal barriers to freedom; the South is also the seat of American Christian conservatism. This historical context directly impacts Johnson’s life by informing their father’s decision to push away his first gay child, G.G. However, when Johnson establishes a bond with their father, they reiterate that straight Black men can be protectors for Black queer people. This emphasizes that these anti-queer behaviors are learned and can be broken.

Chapter 9 reflects on Johnson’s only out and proud queer representation in their family growing up, their transgender cousin Hope. Johnson did not have the language to understand themself as nonbinary and so always assumed they would grow up to transition like Hope did. Hope is another example of the extraordinarily accepting nature of Johnson’s family, though her story has a sad ending; Johnson describes her as wasting away, implying that HIV/AIDS caused her death. The fear of HIV/AIDS is present heavily throughout the memoir. Part of Johnson’s shame in coming out to their family was due to growing up at a time when HIV/AIDS was stigmatized and portrayed as a disease that only affected gay men. Johnson addresses Hope, who is not present, directly in this chapter—a literary device called apostrophe. Through this framing, Johnson implies that they wish Hope were still here to read these words. Hope’s death is unjust and part of the cycles that Johnson wishes to break.

“Dear Mommy” is the last letter in the memoir and chronicles Johnson’s realization of what it means to take care of family members who have taken care of them. After their mother’s surgery, they must feed her and take care of her. The theme of family and friends continues through the next chapter, where Johnson must care for Nanny as she ages and battles cancer. Nanny’s “lesson” for Johnson is that eventually, everybody will need someone to take care of them as they age or experience illness and injury. Although Johnson struggles to reconcile themself to Nanny’s inevitable death, caring for those who have taken care of them is a beautiful opportunity: a chance to return the love and care they received and a reinforcement of commitment to their family. This mutual love contrasts with the violence and alienation queer people often face from their biological families.

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