60 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
On Thursday, Aria drives to San Francisco to meet her mom for lunch. The last time Aria saw Alexis was several months ago, when Alexis told Aria that her new European schedule would prevent her from attending Aria’s high school graduation. Despite being disappointed, Aria shrugged it off. Revisiting this memory, Aria feels heightened anxiety while waiting for her mom to meet her.
Alexis suggests dim sum for lunch because of their proximity to Chinatown. During the Uber ride, she mentions her distant cousin Eddie, and Aria reflects on the distance she feels from the Chinese side of her family. At the restaurant, Aria notices the diamond ring on her mother’s finger, and Alexis explains that her most recent boyfriend, Andrew, proposed. She’s visibly worried about Aria’s reaction and assures Aria, “I haven’t been with a man who understands me so well since I was married to your father. I never thought I’d find that again” (182). Alexis asks Aria to be in the wedding, and Aria feels obligated to say yes, even though she considers this a “betrayal” to her father.
Alexis adds that with a joint income, she’ll be able to better support Aria through MIT. Not wanting “to owe her anything” (184), Aria doesn’t immediately accept the gesture. Alexis admits that she hasn’t “always been a good mother” and brings up the incident with Jacob. Their old tension about this resurfaces, and Alexis accuses Aria of having poor judgment. She wants Aria to “wait for the right [man]” (187) so that she ends up with someone who fully understands her. Aria finds the uncharacteristically vulnerable conversation uncomfortable.
Back at Alexis’s hotel room, Alexis shares some photos from Eddie: They are of Lily, Eddie’s sister, who worked at the Jet Propulsion Lab. Aria notices in a family photo that Lily doesn’t have a husband like everyone else does. Aria changes the subject by asking her mom how she knew Andrew “was the right one” (190), and Alexis explains that their relationship was “easy,” without any “obstacles,” which is how Aria will know who is right for her.
When Aria returns to Woodacre, she flips through Joan’s retrospective to find a portrait of her mother. The double-exposure was taken in 1997, the year she met up with her distant relatives to celebrate Lily’s birthday. Aria finds the portrait of her mom to be very “intimate,” and thinks Joan’s portrayal of her captures “the way she looked on the inside” (191). Aria tells Joan about her mother’s engagement, and Joan reassures her that her feelings can remain undecided. Joan reflects on photographing Alexis back in 1997 and tells Aria that because Alexis is an artist too, she understood what Joan was trying to achieve with her portrait.
Later that evening, Aria receives a text from Steph confirming her attendance at Roxy’s party. Steph signs her text with “xx” (193).
Aria buys a new shirt for the party because she feels that her other clothes are “too straight” (194). Despite her initial frustration with finding an outfit that feels good, Aria decides that her “new look” portrays the person she “[wants] to be” (194).
At Roxy’s, Aria finds Steph outside, and Steph compliments Aria on her look. As Aria is introduced to many new people, she realizes that the strangers at the party must assume she’s queer, and this thought thrills her—“as if a mask [she’d] put on had suddenly become [her] real face” (196). While the friends dance, Aria accidentally bumps into a stranger, but the woman pulls Aria in closer. They dance together for a moment, until the woman invites Aria outside for fresh air. The woman introduces herself as Casey, a friend of Roxy’s. After pleasantries, Casey kisses Aria, who feels “like a monster” for treating Casey as “an experiment” and like she “cheated on” Steph (198). Aria apologizes and runs away, hiding in the art studio upstairs. Steph finds her there, and Aria admits that she “only wants [Steph]” and steps in to kiss her (200).
Aria interrupts the chronological events by interjecting a thought from the standpoint of her future self, who has often thought about this first kiss with Steph. She thinks about specific details and sensations, remembering that Steph “fe[lt] so good [she] [forgot] everything else” (201).
Steph receives a phone call, interrupting the moment in the studio, and she learns that Lisa left the party without her. Mel lets Steph borrow her car, and Aria has no choice but to ride back with her. Neither of them acknowledges what happened for the entire drive back to Mel’s house in San Rafael. As Aria leaves, Steph begins to apologize and expresses regret, but Aria doesn’t let her finish speaking.
Back at Joan’s in Woodacre, while eating dim sum leftovers, Aria suddenly remembers playing with Tasha when they were children. They played house, imitating a husband and wife from a TV show. Aria remembers that she leaned in to kiss Tasha but put up her hand in between their mouths. This memory makes Aria lose her appetite.
Aria wakes up late on Sunday to a call from her father. He asks how lunch with Alexis went, and the more he urges Aria to consider Alexis’s offers to strengthen their bond, the more tense Aria becomes. She finally snaps, and without thinking, she asks him, “Aren’t you still in love with her? Isn’t that why you can’t finish your novel?” (207) She starts to apologize for the outburst, but Matthew seriously confides in her that he’ll always love Alexis for being the mother of his child, even though their marriage failed. He admits that this conversation is long overdue, and Aria agrees to work on her relationship with her mother.
Aria meets Joan downstairs, who admits to not feeling well. She momentarily mistakes Aria for Alexis and can’t remember what she was doing with her old photographs last night. While looking at an old photo, she talks about Russ’s work in the present tense. She’s unsteady on her feet but agrees to lie down and rest.
Aria eats lunch on the deck by herself, indulging in the idea that her experience at the party last night happened in an alternate universe. She goes on a hike to take her mind off things, but Steph calls her. Steph apologizes for her actions at the party and hopes to still be friends with Aria. She wants to make amends in person, and Aria agrees to meet her in Fairfax for dinner tomorrow.
The next day, Joan feels better and goes to the Buddhist center with Tony. While waiting for Steph at the restaurant, Aria realizes that she wants their relationship to be “fated” (215). They avoid talking about the party while they eat, but Steph acknowledges that she has created “a mess.” After dinner, they sit in Steph’s dark truck and finally address their relationship. Aria apologizes for any trouble she might have caused for Steph and Lisa and shares her gratitude to Steph for helping her realize her sexuality. Steph admits she likes Aria too and shares that her relationship with Lisa is struggling. Aria reaches over for her, and they kiss.
Aria yearns for Steph intensely, and they meet up again after Steph’s work shift the next day. They make out in Steph’s truck in a shopping center lot. Aria hasn’t decided if she’s going to tell Tasha about Steph but encourages Steph to start her yard work at Joan’s early on Friday morning, before anyone else is awake.
Aria and Alexis’s lunch in San Francisco is a major turning point for their relationship but starts tensely. When they first meet, Alexis immediately comments on Aria’s appearance and never acknowledges missing Aria’s graduation, which shows just how critical and self-absorbed she has been. Her continued judgment of the incident with Jacob proves that Alexis has some internalized misogyny, unable to see that Jacob’s actions were unfair and further shaming Aria for his actions. Her compulsory heterosexuality assumes that only men would be interested in having a future relationship with Aria (and vice versa), which undermines the place of care that her sentiment comes from. This constant criticism and Alexis’s clumsy delivery make it hard for Aria to immediately trust Alexis’s new resolution to better support her and complicates the theme of Discovering and Embracing Queer Identity.
In addition, the lunch scene highlights Aria’s Chinese heritage, a facet of her identity that she doesn’t explore as much as others. Alexis’s engagement to a Chinese man and the photos of Lily Hu that she shares with Aria, prompt Aria to reflect on her roots and her distance from them. Aria pays particular attention to Lily in the family photos, noticing that she doesn’t have a husband like other relatives do—a foreshadowing of her later learning about Lily’s relationship with Kath.
In another moment of foreshadowing, Joan’s memory lapse and sick day suggest that her health is declining, reinforcing Steph’s earlier concern, but her quick recovery keeps Aria from calling the doctor. Joan understands that Aria’s relationship with her mother is fraught and continues to give her space and validate her complex feelings. Joan’s advice not only applies to Aria’s relationship with Alexis but to her relationship with Steph. Because Joan gives Aria this space and implicitly trusts her to share when she’s ready, Aria feels comfortable enough to explore these relationships at her own pace. Within this safe space that Joan creates, Aria continues to step more confidently into her queer identity. Although she hasn’t come out to anyone else, she realizes that in predominantly queer spaces like Talia’s party, queerness is the assumed default. The “mask” that she had been trying on finally feels real when she’s seen by other queer people, which helps her integrate this new part of her identity completely.
Lo uses another flashback in this section to suggest that Aria is still searching for past clues of her queerness, underscoring the theme of Discovering and Embracing Queer Identity. Her desire to kiss Tasha while playing pretend could have just been child’s play, but the last-minute decision to create a barrier with her hand is another example of compulsory heterosexuality—thinking that two girls “shouldn’t” kiss like that. Years later, Aria no longer believes this. Steph begins signing her texts to Aria with “xx,” an abbreviation understood to mean “kisses.” This isn’t just a virtual display of fondness and intimacy but foreshadows the novel’s climax. Aria first has an opportunity to experience a physically intimate moment with Casey, but it only confirms for her the strong attraction she feels to Steph. Steph and Aria kiss for the first time in Talia’s studio, which Aria initially mistakes for a closet. This kiss and attending a queer party are further steps she takes to feel more certain in her queer identity as she gradually comes out further from “the closet.” The studio is full of portraits, all of which “watch” Aria’s and Steph’s kiss—an implication that others will eventually find out about their affair. Lo’s interjection from a future Aria, who thinks back to this moment often, conveys just how pivotal this moment is for Aria’s self-discovery. Lisa’s text message interrupts their first kiss and foreshadows her interrupting their last one.
Steph momentarily prioritizes her fidelity to Lisa, knowing that her behavior is harmful, but lust and the excitement of someone new outweigh her conscience, and she kisses Aria again. Steph’s truck continues to be their safe space to experience intimacy, and the darkness of the studio and truck cab underscore the importance of secrecy. Lo uses intense, dramatic, language to convey the pair’s consuming feelings of lust and first love. Aria thinks, “There is only [Steph]” (201) and becomes “starved for her” (219). The pace picks up in the chapters at the end of this section, conveying that time is starting to move quickly and adding impact to Aria’s frantic thought that she and Steph “[don’t] have enough time.”
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features: