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59 pages 1 hour read

A Rule Against Murder

Fiction | Novel | Adult | Published in 2008

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Prologue-Chapter 6Chapter Summaries & Analyses

Prologue Summary

Manoir Bellechasse was built over a century ago by Québécois and Abenaki workers for the robber barons who cleared the forests in Quebec for their giant lodge. When it was finally finished, years after it was begun, the last worker on the roof had a premonition that something terrible would happen right there. For reasons that he couldn’t explain, he finished the copper roof with an unusual feature: a copper ridge that ran along the peak.

Once a year, the wealthy men who owned the lodge would travel from Montreal, New York, and Boston to the shore of Lac Massawippi for their annual hunting trip. Over the years, the wildlife in the forest retreated from the lodge, as did the local Abenaki and Québécois. After a time, the men abandoned the property, and it remained abandoned for years until it was bought and turned into an auberge named Manoir Bellechasse. When this happened, the wealthy people returned once again.

Chapter 1 Summary

Invitations have been sent out to visit the Manoir Bellechasse, including one to a house in Three Pines. The mailman takes his time delivering it, as he always does in Three Pines. He enjoys the pace of the small village and the sense that he has stepped out of time. The letter that he is delivering is on rich, heavy stationary, and to him, the handwriting seems to foretell bad news.

Armand Gamache and his wife, Reine-Marie, are visiting Manoir Bellechasse for their anniversary. They are annual guests at the lodge and are welcomed by the owner, Madame Dubois. Gamache and Reine-Marie have had a difficult year and are looking forward to their annual custom of relaxing at the lodge. They have been visiting every year for over 30 years, since Gamache was courting Reine-Marie.

Madame Dubois regretfully informs them that all of the rooms at the lodge, save a small room at the back, have been reserved by the Finney family. The Gamaches, however, are not upset; they never specify a room when they stay, preferring to leave it up to fate. Over the next few days, as the Finney family arrives, they become acquainted with the family members, but in the superficial way of travel acquaintances. As Gamache and Reine-Marie read on the patio, he covertly watches all the family members take pains to avoid each other, rousing his curiosity.

When Gamache goes into the lodge to get some sugar for his lemonade, Pierre Patenaude, the maître d’, is flustered, which is unusual for him, because they have run short of sugar. Pierre tells him that, despite the beautiful day, a storm is coming. Gamache believes him, as Pierre’s forecasts are notoriously correct, and the air is thick and hot.

Chapter 2 Summary

At dinner that night, Gamache and Reine-Marie talk about plans to visit Paris, where their son, Daniel, lives with his family. Daniel and his wife are expecting a child, and if it is a boy, they want to name him Honoré. Gamache is simultaneously touched and troubled by the gesture. After dinner, he walks in the gardens to think about the issue and finds a large white marble cube at the edge of the forest. Returning to the lodge, he sees Julia, a member of the Finney family, smoking on the lawn.

Julia confesses her nervousness over being with her family again to Gamache. She hasn’t seen them in years and almost didn’t come. A waiter, Elliot, brings Julia a drink, and Gamache gets the impression that he had been eavesdropping from around the corner. Then he chastises himself for seeing danger everywhere, even in a place where he should be relaxing.

Julia came to the lodge a few days early, as she is waiting for her divorce to be finalized. Gamache is familiar with the divorce because her husband, David Martin, one of Canada’s wealthiest men, is now in prison for a pyramid scheme in which people lost millions of dollars. Julia pledged to pay the money back and so is looked on favorably by the public. Gamache wonders why she is outside alone rather than inside with her family. She also tells him that her younger brother, Spot, and his wife, Claire, will be arriving tomorrow. Her tone is ominous, and Gamache thinks of the marble cube he came upon, realizing that it reminded him of a grave marker.

Chapter 3 Summary

Pierre, the maître d’, is confounded by Elliot, a young waiter who has turned the staff against him. He is angry when he enters the kitchen and finds Elliot mocking Julia Martin to the staff. After he admonishes Elliot, Chef Veronique tells Pierre to relax, reminding him that Elliot is young.

When Gamache and Julia go inside, everyone is having after-dinner drinks. Thomas, the eldest brother, invites Gamache and Reine-Marie to play bridge. The family is tense, which seems to be their usual state. Marianna, the youngest sister, takes her child, Bean, up to bed, and as they pass, Gamache sees that Bean is carrying a mythology book.

While Gamache and Reine-Marie play bridge with Thomas and his wife, Sandra, the matriarch of the family, Irene Finney, offers advice to the players. She and Reine-Marie also talk about how Quebec has changed. When they were younger, the Québécois were the servant class, and Reine-Marie tells them that her mother cleaned houses. Thomas tells Gamache about the stone plant, which survives in the South African desert by pretending to be stone.

Thomas reports that Spot and Claire are coming the next day. Gamache hears the same tension in Thomas’s voice that he had in Julia’s. He also realizes that everything they say to each other is loaded with double meanings. 

Chapter 4 Summary

As they settle in for the night, Gamache and Reine-Marie discuss Spot’s arrival—they are not impressed with what they’ve heard and aren’t looking forward to meeting him. Pierre, closing down the dining room, wonders if his father would have been disappointed in him. Marianna checks on Bean, wondering if she should do something about the child’s obsession with alarm clocks, which are scattered across the room. She is dreading Spot’s arrival as well.

Julia takes off her jewelry, wondering what Gamache must think of her, drinking, smoking, and flirting with a waiter. She is angry that, after dinner, Thomas had brought up toilets, a joke about her that the family keeps bringing up. Sandra goes to bed wondering why everyone, including the staff, likes Gamache so much—she assumes that he is a shopkeeper and that the staff members favor them because they are French. Irene begins to cry in the bathroom, and Bert, her husband, listens to her from bed.

The next morning, the air is hot and thick with humidity, preceding the storm that Pierre has predicted. To cool off, Gamache and Reine-Marie take a swim in the lake before breakfast. On the way back to the lodge, he shows her the marble cube, and they ask a nearby gardener about it. Colleen, the gardener, tells them that it was dropped off just a few days ago. 

Chapter 5 Summary

Gamache and Reine-Marie are reading on the lawn when they hear that Spot and his wife have arrived. When they see the couple, they realize that it is Peter and Clara Morrow, a couple they know and like who live in Three Pines. Gamache realizes that things are not what they seem with this family.

Clara has been dreading the gathering; she quickly escapes the family, leaving Peter talking to Irene and Julia. As Julia absorbs an insult from Peter, she realizes that, having been away from her family for so long, she had forgotten how they were. When Clara rejoins them, Peter tells them about her upcoming show at a prominent Montreal gallery. They all congratulate her, but she doesn’t believe that they are sincere. When Clara sees Gamache and Reine-Marie approaching, she is astonished and pleased to see her friends.

Chapter 6 Summary

After lunch with the family, Clara wants to find the Gamaches, but Peter feels a responsibility to stay with his family, and she stays with him. Because she is annoyed about it, she picks a fight with him, believing that he told his family about her art opening not to celebrate her but to annoy them.

Madame Dubois tells Gamache that his son, Daniel, had called from Paris. He asks her about the marble cube, and she tells them that it is for a statue of Charles Morrow. They realize that Morrow was Irene’s first husband, which is why her children are Morrows, and not Finneys. The statue is to arrive that day to be placed on the cube. She confesses that she agreed to it because the lodge needs money for repairs.

Later that day, when they catch up with Clara and Peter, Gamache asks Peter how he feels about Clara’s success since he, a painter as well, is used to being the successful one of the couple. Peter admits to some jealousy but is happy for her.

Suddenly, Bean runs out of the garden, screaming. Colleen, the gardener, follows, explaining that she had been playing near the marble cube and was stung by a wasp. While the family is arguing, Gamache removes the stingers from Bean’s arm, and Reine-Marie applies calamine lotion. The family decides to continue with their plan to go boating in the lodge’s verchère (rowboat). Once they are seated, however, there is no room for Bert or Clara, and they are left behind on the dock. 

Prologue-Chapter 6 Analysis

Immediately in the Prologue, Penny raises the tension between the powerful, wealthy Anglo men who own the lodge and the Québécois and Indigenous Abenaki workers who build it. This is further complicated by the fact that, in the process of building the lodge, the workers are destroying the forest that is their home and livelihood. By placing this conflict at the very beginning, Penny sets it up as central to the novel; by contextualizing the Manoir Bellechasse in this way, she gives the setting a historical and cultural weight beyond the tensions that will be seen between the Québécois and the Anglo-Quebecers throughout.

In addition, she offers foreshadowing with a worker’s certainty, while standing on the roof, that “[s]omething dreadful was going to happen on that very spot” (1). This feeling prompts him to add the copper ridge to the roof for no reason that he can explain “except that it looked good and felt right” (1)—this ridge will play an important part later in the story. The tone of the Prologue is ominous and sets the scene for murder.

In Chapter 1, Penny steps away from the lodge to introduce the reader to the village of Three Pines. Although it is not the setting of this novel, Three Pines is central to the Gamache series. The reader follows a mailman delivering an ominous invitation, and Penny acquaints new readers with the village, which the mailman imagines is “disconnected from the outside world. It certainly felt that way. It was a relief” (5). Penny reinforces this same sense of Three Pines as divorced from the cares of the real world throughout the series.

Readers of the series will recognize Gamache and Reine-Marie when they arrive at Manoir Bellechasse. When they are joined by the Finney-Morrow family, mystery aficionados will recognize a classic mystery setting reminiscent of Agatha Christie’s work, in which the characters are isolated together in a remote location. Penny also introduces the ominous note of an impending storm, both setting the tone and acting as a metaphor for the violence to come.

In Chapter 2, Penny first raises the theme of Fathers and Sons with the tension between Gamache and his son, Daniel. For reasons not yet revealed, Daniel wants to name his son Honoré, and for equally obscure reasons, Gamache is against it. Although the reader does not understand the subtext of the issue yet, it is a loaded topic for both men. By leaving the reader in the dark, Penny utilizes a technique of the genre in which the reader is also turned into a detective, analyzing clues and relationship dynamics in order to understand characters’ actions. Similarly, when Gamache finds the marble cube in the garden, Penny offers another moment of ominous foreshadowing before introducing Julia. At the end of the chapter, Gamache says that the marble cube reminds him of “[a] grave marker” (26), layering the tension even thicker.

In these opening chapters, Penny establishes a third-person omniscient point of view. With this perspective, the narrator can range throughout the minds of the characters, revealing their inner thoughts. In Chapter 3, she uses this perspective to give the reader insight into the tensions between the family members, as well as between Pierre and Elliot. She also reintroduces the tension of the Prologue when Reine-Marie and Irene Finney discuss Quebec history and the way that it shifted relations between the Québécois and the Anglos. Reine-Marie’s admission that her mother used to clean houses for Anglos causes the family to look down upon her; the historical background in the Prologue exposes this snobbery as partly rooted in bigotry.

As Marianna takes Bean up to bed, Gamache sees the child’s book of mythology, a topic on which Penny will build to address the theme of Family Armor. This theme is also raised by Thomas, who tells Gamache about the stone plant: “In order to survive it must hide. Pretend to be something it isn’t” (36). He realizes that Thomas is trying to tell him something, but he doesn’t understand what. In this sense, the reader and Gamache become detective simultaneously, each presented with information with meanings not yet intelligible.

In Chapter 4, Penny uses the common activity of preparing for bed to touch base with the characters; the third-person narrator gives the readers access to each character as it rotates through their rooms. This develops the characters further but also presents the reader with action that will be analyzed later in the book when the detectives go over the events preceding Julia’s death—in this way, the readers are implicated in the detective work. Sandra’s assumption that Gamache is a shopkeeper creates dramatic irony for those familiar with the series, but even without that knowledge, the reader can see that she is grossly underestimating him. This is a reflection of both Sandra’s snobbery and Gamache’s characteristic understatement.

The impending storm, preceded by suffocatingly hot, humid weather, reinforces the sense of impending danger and acts as a metaphor for the simmering claustrophobic emotion and tension of the family that has permeated the lodge. In Chapter 5, when Spot and Claire arrive and reveal themselves as Gamache’s friends Peter and Clara, the mystery of the family deepens for him.

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